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「ブッダのお弟子さん 教えをつなぐ物語」
https://doi.org/10.18953/00009204
https://doi.org/10.18953/000092043102e38c-c9ad-4b33-b6ea-6db332126286
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
438号 pp.41-48 (1.0 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2025-02-28 | |||||||||
| タイトル | ||||||||||
| タイトル | 「ブッダのお弟子さん 教えをつなぐ物語」 | |||||||||
| タイトル | ||||||||||
| タイトル | Tales of Buddhist Saints | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18953/00009204 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
米沢, 玲
× 米沢, 玲
× Maizawa, Rei
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The Tales of Buddhist Saints exhibition was held at the Ryukoku Museum, Kyoto from April 23 – June 19, 2022. This exhibition considered the nature of the “Buddhist Saints,” namely Shakyamuni’s ten great disciples and arhats who took up Shakyamuni’s teachings and disseminated them, through a display of historical materials, paintings, sculptures and decorative arts. This exhibition was originally scheduled to open in April 2020, but the Ryukoku Museum was shut to help prevent the spread of Covid-19 immediately before the scheduled opening, and this led to the exhibition being postponed for two years. This article presents an overview of the exhibition and considers its scholarly meaning, while also mentioning how the exhibition process is managed in cases where the exhibition has been canceled or postponed due to the Covid-19 pandemic.The exhibition consisted of five chapters: Chapter 1 ‘The First Buddhist Disciples and Various Lay Followers’, Chapter 2 ‘Disciples who Witnessed Buddha’s Parinirvana’, Chapter 3 ‘Ten Great Disciples of Shakyamuni Buddha’, Chapter 4 ‘The Sixteen Arhats Entrusted with the Buddha’s Teachings’, and Chapter 5 ‘Monks Lives as Seen in Arhat Images’. Chapter 1 discussed the presence of diverse factors in early Buddhism, including the ancient Indian deities who became Buddhists and lay followers. Chapter 2 introduced Shakyamuni’s disciples who were present at his parinirvana via their images seen in Death of the Buddha (Nehanzu) depictions. Chapter 3 introduced the ten disciples of particular note among Shakyamuni’s disciples, explaining how they are worshipped and their individual characteristics and powers. Chapters 4 and 5 discussed the worship of arhats, who were human in form and yet had attained supernatural powers through enlightenment. The many arhat paintings produced in the medieval period give a real sense of how such worship increased and spread. Though it might be said that this exhibition displayed more works related to arhats than those related to the ten great disciples, this ambitious exhibition set out to provide a detailed explanation of the worship of Shakyamuni’s disciples, a subject which has attracted less attention.In 2020 numerous exhibitions were canceled or postponed due to the spread of Covid-19, and the changes to annual planning had a huge impact on art museums and other museums nationwide. This exhibition, which opened two years late in 2022, was not as originally planned, with approximately a quarter of the works different from those initially scheduled for the exhibition. Further, in addition to the catalogue produced in 2020, a new catalogue was produced for the 2022 exhibition which included reproductions of the newly added works, thus reflecting another aspect of the massive efforts and difficulties involved in postponing an exhibition. Conversely, during the period between 2020 and 2022, new works have been discovered and new research conducted, and the 2022 display and catalogue were able to include those materials, thus further deepening the exhibition contents. While the pandemic has impacted the exhibition business in myriad ways, this exhibition is particularly noteworthy as an exhibition which personifies the meaning of overcoming the conditions wrought by postponement, and successfully holding an exhibition. | |||||||||
| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 438, p. 41-48, 発行日 2023-02-28 |
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