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研究資料 ゲッティ研究所所蔵 デュヴィーン画廊アーカイブの矢代幸雄関係資料
https://doi.org/10.18953/00009096
https://doi.org/10.18953/00009096a1c75c1b-4e5e-4edd-b4c4-8397fefa9eca
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
436_59_Yamanashi_Redacted (1.2 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2024-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | 研究資料 ゲッティ研究所所蔵 デュヴィーン画廊アーカイブの矢代幸雄関係資料 | |||||||||
| タイトル | ||||||||||
| タイトル | Materials for Art Researchs: The Yashiro Yukio-related Materials in the Duveen Brothers Records at the Getty Research Institute | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18953/00009096 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
山梨, 絵美子
× 山梨, 絵美子
× Yamanashi, Emiko
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Yashiro Yukio (1890-1975) was deeply involved in the founding of the Institute of Art Research affiliated with the Imperial Art Academy, which was the predecessor of the Tokyo National Research Institute for Cultural Properties. Yashiro studied in Europe from 1921 to 1925, particularly under the tutelage of Bernard Berenson (1865-1959). While there, he published his great work in English, Sandro Botticelli (1925, Medici Society). When Yashiro visited Berenson to ask for permission to study under him, Berenson was then the great scholar on Renaissance painting, living at I Tatti, a palace with large garden located on the outskirts of Florence. He was not affiliated with any museum or university, but rather earned his living as an independent scholar. This income is thought to have been thanks to a secret contract he concluded with the English art dealer Joseph Duveen (1869-1939). In his own writings, Yashiro does not make direct mention of his own connection with Duveen. However, we have now learned of letters exchanged between Yashiro and the Duveen Gallery and other related materials related to Yashiro in the Duveen Brothers records housed in the Getty Research Institute. There are three letters written by Yashiro and 15 documents from the Duveen Gallery, spanning in date from the first Yashiro letter dated January 11, 1925 to the last Duveen Gallery letter dated July 8, 1927. These documents can be largely divided into three groups based on their contents. First, those related to Yashiro’s book Sandro Botticelli, namely those related to requests for photographs of Botticelli works for inclusion in the book and those related to critiques of the book. The second group is related to Yashiro’s request in 1927 that they send him copies of the picture compendia published by the Duveen Gallery. And third, those related to Yashiro’s departure from Europe in 1927 and his visits to the Duveen Gallery in New York. According to these materials, Yashiro wrote to Duveen about his book, stating that he was a student of Berenson, and he wrote his own critiques of the works in the Gallery. Duveen hoped that through Yashiro European paintings could be introduced in Japan, and they also clarified Duveen’s evaluation of Yashiro’s Sandro Botticelli. This article introduces the materials in the Yashiro file in the Duveen Brothers records at the Getty Research Institute, offers my own thoughts on the newly discovered information in those materials, and presents a Japanese translation of all of the Yashiro-related materials in the Getty’s Duveen Brothers records. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 436, p. 59-78, 発行日 2022-03-30 |
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