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研究ノート 上野直昭資料から発見された高裕燮書簡について―とくに京城考古談話会原稿を中心に―
https://doi.org/10.18953/00009094
https://doi.org/10.18953/00009094f9c33d0b-5c75-4081-902d-5719e11af994
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
436_27_Tashiro_Redacted (68.7 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2024-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | 研究ノート 上野直昭資料から発見された高裕燮書簡について―とくに京城考古談話会原稿を中心に― | |||||||||
| タイトル | ||||||||||
| タイトル | Research Note: Letters from Ko Yu-seop found in the Ueno Naoteru Materials: Focusing on the Manuscripts for the Keijô Archaeology Colloquium | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18953/00009094 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 著者 |
田代, 裕一朗
× 田代, 裕一朗
× Tashiro, Yûichirô
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The Ueno Naoteru (1882-1973) materials preserved in the Geidai Archives Center of Modern Art include four letters from Ko Yu-seop (1905-1944), Ueno’s student who is now a renowned art historian in South Korea. These letters are especially noteworthy as they reveal how Ko, the “father of [Korean] art history,” developed his theories via his relationships with Ueno and fellow scholars. Based on these newly-discovered materials, this article introduces each letter in detail and analyzes the significance of the manuscripts for the Keijô Archaeology Colloquium, a group that is critically important to Korean art historiography. Ko Yu-seop wrote these four letters respectively in 1928 (Shôwa 3), when he was a sophomore in the division of law and literature at the Keijô Imperial University; 1930 (Shôwa 5), when he was an assistant in the office of aesthetics and art history and 1939 (Shôwa 14) and 1943 (Shôwa 18), whenhe was the director of the Gaeseong Prefectural Museum. The last letter was sent not to Ueno but to Kumagai Nobuo (1900-1972), then-official of the Government-General of Joseon in charge of museums in Korea. Enclosed in an envelope titled “Keijô kôko danwakai genkô (Manuscripts for the Keijô Archaeology Colloquium),” this letter contained two manuscripts for the Colloquium: “Chôsen no sekitô ni tsuite (A Survey of Korean Stone Stupas)” and “Kaijô yûkanki (Gaeseong Ruins Report).” On the basis of the manuscript contents and stamp cancellation marks on the envelopes, Ko would have written these texts sometime between April 1942 and January 1943. The Keijô Archaeology Colloquium, established at the beginning of 1941, is historiographically noteworthy since it consisted of the pioneers of Korean art history and archaeology of the day. Unfortunately, there are almost no records left to account for its scholarly activities. As one of the four such resources extant, Ko Yu-seop’s newly-discovered letters are of great significance in Korean art historiography. Furthermore, in the manuscript “Chôsen no sekitô ni tsuite,” Ko examined his theory on the origin of the Korean multi-story stupa, the most outstanding achievement in his stone stupa research. According to this theory, the multistory stupa of the Mireuk-sa Temple Site, the oldest stone stupa in Korea, precedes the five-story stupa at Jeonglimsa Temple. Ko had already published this theory in 1939, under the title “Joseon tappa ui yeongu II (Research on Korean Pagodas II)” in the journal Jindan hakbo. However, Sugiyama Nobuzô (1906-1997), a Japanese architectural historian, recalled that Japanese researchers were unaware of this paper as it was written in Korean. It was at the Keijô Archaeology Colloquium held in 1942 that Ko’s theory was first published in Japanese and gained its reputation. In other words, the “Chôsen no sekitô ni tsuite” discovered in the Ueno Naoteru Materials is historiographically important because it reveals the moment when Ko presented his stone stupa theory to Japanese researchers for the first time. In conclusion, this article underscores the importance of Ko’s letters discovered in the Ueno Naoteru Materials, particularly the manuscripts for the Keijô Archaeology Colloquium, in terms of both Korean art historiography and Ko’s stone stupa research development. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 436, p. 27-45, 発行日 2022-03-30 |
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