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研究資料 書簡にみる黒田清輝・久米桂一郎の交流（三） 黒田清輝・久米桂一郎間書簡 影印・翻刻・解題
https://doi.org/10.18953/00009074
https://doi.org/10.18953/00009074f5af73c8-b4b1-412c-8d9a-95a9b60fb77b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
435_73_Shioya_Redacted (175.8 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||||||||||||||
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| 公開日 | 2023-12-29 | |||||||||||||||||||||
| タイトル | ||||||||||||||||||||||
| タイトル | 研究資料 書簡にみる黒田清輝・久米桂一郎の交流（三） 黒田清輝・久米桂一郎間書簡 影印・翻刻・解題 | |||||||||||||||||||||
| タイトル | ||||||||||||||||||||||
| タイトル | Materials for Art Researchs: Interactions Between Kuroda Seiki and Kume Keiichirô as Seen in Their Correspondence (Part III) | |||||||||||||||||||||
| 言語 | en | |||||||||||||||||||||
| 言語 | ||||||||||||||||||||||
| 言語 | jpn | |||||||||||||||||||||
| 資源タイプ | ||||||||||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||||||||||
| 資源タイプ | journal article | |||||||||||||||||||||
| ID登録 | ||||||||||||||||||||||
| ID登録 | 10.18953/00009074 | |||||||||||||||||||||
| ID登録タイプ | JaLC | |||||||||||||||||||||
| 著者 |
塩谷, 純
× 塩谷, 純
× 伊藤, 史湖
× 田中, 潤
× 齋藤, 達也
× Shioya, Jun
× Itô, Fumiko
× Tanaka, Jun
× Saitô, Tatsuya
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| 抄録 | ||||||||||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||||||||||
| 内容記述 | This article introduces facsimile editions, transcriptions, explanatory readings and notes on five letters exchanged between Kuroda Seiki (1866-1924) and Kume Keiichirô (1866-1934), selected from the group of letters listed in Part I of this article published in Bijutsu Kenkyu No. 433. Based on the text found in these five letters and the seven letters introduced in Part II of this article published in Bijutsu Kenkyu No. 434, we have created a facsimile and transcription edition of the “Exchange between Kuroda Seiki and Kume Keiichirô as Seen in their Correspondence.” Kuroda Seiki’s letter dated August 13, 1898 (Meiji 31) addressed to Kume Keiichirô is in the form of a postcard written when Kuroda stayed in Nikko to produce his Talk on Ancient Romance. This same letter was also published in Kôfû, the Hakubakai journal, and a comparison between the original postcard and the published version shows that considerable changes to the text were made prior to its publication in Kôfû. Kume’s letter to Kuroda dated August 26, 1903 and Kuroda’s letter to Kume dated September 4th of the same year consist of an exchange of opinions about the running of the Hakubakai exhibition scheduled to open on September 16th of that year. The former letter also mentions the recipients of the Mire meiga zenshû (picture compendia of Jean-François Millet), which was edited and produced by the Hakubakai. Kuroda’s letter to Kume dated February 28, 1906 conveys the situation at the meeting held between various art groups under the direction of Minami Beigaku of the Tatsumi Gakai, upon the occasion of the destruction of the Gogôkan in Ueno Park, which had been up until then used as an exhibition venue. Kume’s letter to Kuroda dated August 10, 1910 was sent by Kume from London when Kume was in England as the director of the Exhibitors’ Association for the Japan- British Exhibition held that year. In this detailed letter Kume mentions a visit to the Paris studio of his teacher Raphaël Collin, the appearance of the traditional Japanese art display at the Japan-British Exhibition, his reunion with old friends from his student days, and his interactions with other Japanese then in England. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 435, p. 73-97, 発行日 2021-12-28 |
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