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研究資料 書簡にみる黒田清輝・久米桂一郎の交流（二） 黒田清輝・久米桂一郎間書簡 影印・翻刻・解題
https://doi.org/10.18953/00009066
https://doi.org/10.18953/0000906642281417-0ab4-4d42-af82-8b1c70a92dfd
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
434_71_Shioya_Redacted (382.2 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||||||||||||||
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| 公開日 | 2023-08-31 | |||||||||||||||||||||
| タイトル | ||||||||||||||||||||||
| タイトル | 研究資料 書簡にみる黒田清輝・久米桂一郎の交流（二） 黒田清輝・久米桂一郎間書簡 影印・翻刻・解題 | |||||||||||||||||||||
| タイトル | ||||||||||||||||||||||
| タイトル | Materials for Art Researchs: Interactions Between Kuroda Seiki and Kume Keiichirô as Seen in Their Correspondence (Part II) | |||||||||||||||||||||
| 言語 | en | |||||||||||||||||||||
| 言語 | ||||||||||||||||||||||
| 言語 | jpn | |||||||||||||||||||||
| 資源タイプ | ||||||||||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||||||||||
| 資源タイプ | journal article | |||||||||||||||||||||
| ID登録 | ||||||||||||||||||||||
| ID登録 | 10.18953/00009066 | |||||||||||||||||||||
| ID登録タイプ | JaLC | |||||||||||||||||||||
| 著者 |
塩谷, 純
× 塩谷, 純
× 伊藤, 史湖
× 田中, 潤
× 齋藤, 達也
× Shioya, Jun
× Itô, Fumiko
× Tanaka, Jun
× Saitô, Tatsuya
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| 抄録 | ||||||||||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||||||||||
| 内容記述 | This article introduces seven letters exchanged between Kuroda Seiki (1866-1924) and Kume Keiichirô (1866-1934) in 1895 (Meiji 28) from the group of letters listed in Part I of this article published in Bijutsu Kenkyu No. 433. This issue includes facsimiles, annotated transcriptions and interpretations of the seven letters. In 1895 Kuroda was named one of the judges for the 4th Domestic Industrial Exposition. He remained in the Kyoto area, site of the exposition, even after it closed, primarily to work on his painting Talk on Ancient Romance. Thus, the letters introduced in this article were sent between Kuroda then in Kyoto and Kume then in Tokyo. Kuroda’s letters conveyed a sense of the exposition display, with the noteworthy mention of Morning Toilette, the work that set off Japan’s debate about paintings of nudes. Kume described the current situation in Tokyo to Kuroda, noting the arrival of Louis Dumoulin (1860-1924) in Japan in 1895. Previous studies of the French artist have not mentioned this trip and thus this letter is a noteworthy new information source for his study. The year 1895 also saw both Kuroda and Kume marry, and hence it was a year of newlywed life. The letters provide a fascinating glimpse of how their lives were turned upside down by marriage. After the freedom of their student days in France, suddenly they both had new families and responsibilities. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 434, p. 71-105, 発行日 2021-08-30 |
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