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  1. 美術研究
  2. 421-440号
  3. 434号

研究ノート 近代の大礼と有職故実―装束の変化について―

https://doi.org/10.18953/00009065
https://doi.org/10.18953/00009065
d8644d18-92bf-4b4a-81e7-1b1f88befaa1
名前 / ファイル ライセンス アクション
434_63_Tanaka_Redacted.pdf.pdf 434_63_Tanaka_Redacted (35.2 MB)
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Item type 学術雑誌論文 / Journal Article(1)
公開日 2023-08-31
タイトル
タイトル 研究ノート 近代の大礼と有職故実―装束の変化について―
タイトル
タイトル Research Note: Modern Japanese Imperial Enthronement Rituals and Imperial Court Traditions: Changes in Formal Garments
言語 en
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言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ journal article
ID登録
ID登録 10.18953/00009065
ID登録タイプ JaLC
著者 田中, 潤

× 田中, 潤

田中, 潤

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Tanaka, Jun

× Tanaka, Jun

en Tanaka, Jun

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内容記述タイプ Abstract
内容記述 When the new leaders of the country created a modern Japanese government after the Meiji Restoration, it was not only a case of complete political and cultural change from the preceding shogunal government era, they also brought about massive modernization in all aspects of politics, the military, industry and culture, taking various Western nations as their model. Japanese envoys toured and observed the situation in advanced Western countries in order to learn how to construct a constitutional monarchy in Japan. They realized that each of these countries valued modernization that worked from the basis of each nation’s own deeprooted traditions. They learned that it was not only a case of discarding out-of-date practices from the preceding shogunal era, but also about inheriting and handing on traditions of the past, all while creating the nation of Japan as a modern state. They learned that those countries which had achieved such a state realized that there had to be visual expression of such endeavors and constructs.
Within Japan’s modern imperial system, the series of rites and ceremonies related to the daijôsai (enthronement of a new emperor) are collectively called the tairei (大礼). These tairei enthronement rituals are major ceremonial occasions held by the nation. The government invites honored guests from numerous countries to attend these events. These tairei rituals are thus the perfect occasion on which to demonstrate to both the Japanese people and the greater world the physical form of Japan as a modern nation, a country which has absorbed elements of Western culture, all while embracing the traditions of its own pre-modern and even earlier eras. Upon these occasions handed-down knowledge of the aristocratic and military class traditions, rituals and history known as yûsoku kojitsu was utilized to give visual expression to these Japanese traditions.
The knowledge of yûsoku kojitsu which underscored the garments used in the Taishô and Shôwa tairei was the result of the research on yûsoku kojitsu carried out during the Tokugawa shogunate’s peaceful Edo period. The garments worn by aristocratic men and women -- seen as reflecting images of Heian period imperial culture and which have been handed down and utilized in the present day -- are actually a revival following their banishment during the Warring States period. These garments not only were abandoned and then revived during the pre-modern era, at each stage of the modern and contemporary era they have been changed to suit the times. This article focuses on and introduces the abolishment of itabiki, a garment fabric stiffened with paste that was essential for traditional reinforced formal wear, as an example of the changes in the garments worn by aristocratic men and women at the Taishô and Shôwa tairei events, which have been utilized in the modern and contemporary eras as visual symbols of Japanese traditions and were continued in the Heisei and Reiwa tairei events.
書誌情報 美術研究
en : The bijutsu kenkyu : the journal of art studies

号 434, p. 63-70, 発行日 2021-08-30
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