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隆能源氏の季節の題材に就いて
https://tobunken.repo.nii.ac.jp/records/7135
https://tobunken.repo.nii.ac.jp/records/71356b6f6927-9222-4dcf-a35e-9abf0fed6118
名前 / ファイル | ライセンス | アクション |
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158_1_Shirahata_Redacted.pdf (6.0 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 隆能源氏の季節の題材に就いて | |||||
タイトル | ||||||
タイトル | On the Seasonal Subjects Treated in the Scroll-painting “Tales of Genji” Attributed to Takayoshi | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 源氏物語絵巻柏木・竹河(東京 尾張徳川黎明会蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | On the Seasonal Subjects Treated in the Scroll-painting “Tales of Genji” Attributed to Takayoshi | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
白畑, よし
× 白畑, よし× Shirahata, Yoshi |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Of the nineteen scenes now remaining of the Genji Monogatari E-maki, that famous scroll-painting of the twelfth century attributed to Fujiwara-no-Takayoshi, illustrating the classic piece of Japanese literature Genji Monogatari (Tales of Genji), most are depicted in more or less relation to seasonal backgrounds of nature. We may hazard to say the painter intentionally picked up scenes from the story suitable for such depiction, to present the poetic atmosphere produced by the delicate interrelations between the quiescent natural backgrounds and the emotional feelings of the characters who are depicted therein. For example: of the Chapter Yomogi-u, the existing portion depicts springtide with wistaria blossoms, under which the hero of the story Genji visits Lady Suetsumu-hana; that of the Sekiya Chapter is in autumn, presenting Genji and Lady Utsusemi meeting accidentally at Ōsaka-no-seki amidst the glowing tint of maple leaves; the Suzumushi Chapter gives two other autumn scenes, one showing a garden where crickets sing under the full moon, the other treating of nobles playing music in the moonlit Reizei-in Palace; the Minori Chapter, too, shows an autumn scene, with the heroine Lady Murasaki-no-ue seriously ill, and bush-clovers blooming meekly in the evening garden ; the Takekawa Chapter has two spring scenes, the first with plum-blossoms and the second with cherry-blossoms, and so on. These spring and autumn scenes show different atmosphere respectively with different objects of nature. The Japanese people feels very kindly with the beautiful nature of the country, and this was particularly so with the nobles of the Late Heian Period (897-1184), an aristocratic period of elegance and delicacy. Few specimens of nature depiction in the period now remain, but we know paintings of the sort treated subjects similar to those of poems of the time. Cherry-blossoms, plum-blossoms, the moon, maple-leaves, etc.-these were favorite subjects for poets and poetesses, and were representatives or symbols of respective seasons. It may be reasonable to imagine that the painter of the Genji scrolls followed this tradition, using it very dexterously to harmonize with the emotional conditions of the characters in those scenes. His skill may be understood better by comparing the Genji painting with other specimens of similar scroll-paintings. For example, the Nezame Monogatari scroll has scenes largely occupied by plum, cherry or willow trees in a style very much like the Genji scrolls, but in the second section of that scroll, for instance, a willow-tree covers nearly two thirds of the picture, so that the house and the figure playing a harplike musical instrument in it, which ought to be the principal subjects of the scene, are partly concealed out of sight. The pictures of the Genji scrolls never fail to create good harmony between the subjects and the naturalbackgrounds. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 158, p. 1-7, 発行日 1951-02-28 |