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図版解説 広島福智院の十一面観音像
https://tobunken.repo.nii.ac.jp/records/6881
https://tobunken.repo.nii.ac.jp/records/688177ad9e21-346e-419c-aaa7-4e80aafe3a6e
| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 図版解説 広島福智院の十一面観音像 | |||||||||
| タイトル | ||||||||||
| タイトル | Explanation of the Plates: Two Eleven-headed Kannons at Fukuchi-in, Hiroshima | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Eleven-headed Kannon (Ekadasamukha-Avalokitesvara), Owned by Fukuchi-in, Hiroshima | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | metadata only access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||||||
| 著者 |
猪川, 和子
× 猪川, 和子
× Ikawa, Kazuko
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The Fukuchi-in Monastery, Hiroshima Prefecture, owns two statues of Eleven-headed Kannon (Avalokitesvara) in identical style. One of them has been found contained in its body ten coins of Engi mintage. The Engi coins were issued from the 7 th year of Engi (A. D. 907) onwards and were in use for fifty years till the 1 st year of Tentoku (957). Engi coins have also been discovered within the trunks of the Elevenheaded Kannon at Yakshi-ji, Nara and the Shokannon at Kanshin-ji, Osaka Prefecture. Certain similarities of ornamental design applied on the statues existed between the Fukuchi-in image and those at Yakshi-ji as well as Kanshinji. We can find in some documents of the period recording the dedication of newly-issued coins to sacred images. It may thus be assumed that these statues mentioned above were produced within the same period. If so, the two Fukuchi-in images can be dated earlier than the Yakushi statue at Zensui-ji, Shiga Prefecture, of which the trunk contained votive articles bearing an inscription dated in the 4th year of Shoreki (993). The images in question may therefore be regarded as valuable work whose production falls in the first half of th 10th century. | |||||||||
| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 219, p. 40-43, 発行日 1962-08-30 |
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