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伝上杉謙信所用金銀欄緞子等縫合胴服について 下―伝上杉謙信・上杉景勝所用服飾類調査報告一―
https://tobunken.repo.nii.ac.jp/records/6880
https://tobunken.repo.nii.ac.jp/records/6880c64f383b-fe5c-4972-aa30-6d22e9dba362
名前 / ファイル | ライセンス | アクション |
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Item type | 学術雑誌論文 / Journal Article(1) | |||||||||||
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公開日 | 2017-10-05 | |||||||||||
タイトル | ||||||||||||
タイトル | 伝上杉謙信所用金銀欄緞子等縫合胴服について 下―伝上杉謙信・上杉景勝所用服飾類調査報告一― | |||||||||||
タイトル | ||||||||||||
タイトル | The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (II) | |||||||||||
言語 | en | |||||||||||
言語 | ||||||||||||
言語 | jpn | |||||||||||
キーワード | ||||||||||||
主題Scheme | Other | |||||||||||
主題 | 山形・上杉神社蔵 | |||||||||||
資源タイプ | ||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
資源タイプ | journal article | |||||||||||
著者 |
神谷, 榮子
× 神谷, 榮子
× Kamiya, Eiko
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抄録 | ||||||||||||
内容記述タイプ | Abstract | |||||||||||
内容記述 | In this sequel to the report published in No. 216 which contains the first four sections, the author here treated details of the patchwork of dobuku in question and discussed the aesthetics of its design in the order given below. V. Details of the patchwork : 1) on patch work in the clothes; 2) evolution of the design in patchwork and background of giving birth to the design in the present dobuku ; 3) peculiarities of the patchwork in th present dobuku ; 4) dobuku as a stylish wear. VI. Aesthetics on the present dobuku : 1) beauty of contrast; 2) quiet refinement in the apparent gorgeousness of the design as a whole; 3) warm colour effect. based on cooler tones; 4) tense, chaste elegance. VII. Conclusion. In Section V, the author discussed the characteristics of Japanese patchwork, giving examples from the various periods. She proceeded to the short history of the evolution of design in patchwork and examined the background factors which led to give birth to that of the dobuku. Dealing with the peculiarities of the patchwork in the present dobuku, she tried to prove that it was not intended a patchwork garment in the ordinary, mean use but a special, luxurious, stylish wear. Compared with the so-called “ meibutsugire”, (the select cloths highly prized by the tea masters and cultured samurai of the time, most of which were imported Chinese cloths), it was established by the author that 16 kinds of cloths used in this patchwork are from the best of cloths then imported in quantities from China in the mid-Ming period (16 century). In Section VI an analysis of the beauty in the present dobuku was undertaken, by examining the shapes, colours and sizes of the strips, the angles of cutting, the texture and weave of the cloths (Tables 3-5 and Figs. 30, 33, 34). But full analytic investigations from the standpoints of aesthetics and colour theory will leave for the future. For the present, the author confined her study to the field of textile art history, by analyzing the factors given above (1-4). Finally the investigation has made it clear that the dobuku in question had never been retouched, and that it was no ordinary garment but luxurious coat specially designed for a stylish wear. It is comparable in its refinement to the sprit of Noh and tea ceremony, and ranked a masterpiece of the Muromachi-Momoyama period in the textile history. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 219, p. 17-39, 発行日 1962-08-30 |