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華嵒の秋声賦意図
https://tobunken.repo.nii.ac.jp/records/6789
https://tobunken.repo.nii.ac.jp/records/67893c810d8f-ba0c-4e72-9dd6-5d217e01e2b4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
236_31_Kawakami_Redacted.pdf (7.6 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 華嵒の秋声賦意図 | |||||||||
| タイトル | ||||||||||
| タイトル | “Picture Embodying the Ode to an Autumnal Voice” by Hua Yen | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 華嵒筆秋声賦意図（大阪市立美術館蔵） | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Picture Embodying the Ode to an Autumnal Voice by Hua Yen, Osaka Municipal Art Museum, Osaka | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
川上, 涇
× 川上, 涇
× Kawakami, Kei
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The “Ch'iu-shêng-fu-i-tu 秋声賊意図 (Picture Embodying the Ode to an Autumnal Voice)” by Hua-Yen 華嵒, is his grand work which takes its subject from the “Ch'iu-shêng-fu” by Ou-yang Hsiu 欧陽修. This ode delivers the philosophical notions on autumn he entertained when he, as he read on an autumn night, heard the blowing of wind and the sound of scattering leaves, and this painting represents a scene when Ou-yang Hsiu, hearing the voice of the wind, ordered an attendant boy to see what was going on. The effect of the pale black ink and faint colours, to gether with a centrifugal composition, is to render the chilly night air and tranquil atmosphere of autumn. From the artist's inscription the work is known to have been painted at the age of seventy-four in the tenth month, the winter, 1775. However, on the other hand, in his anthology, Li-kou-chi 離垢集, there is a separate poem with an introduction stating that it was written on his sixtieth birthday, on the seventh day of the tenth month, 1743. If this is right, we cannot but think that he was born in 1683. As the “ Picture Embodying the Ode to an Autumnal Voice” was painted toward the end of the year, he may have indicated his age as the next year as old people often do. Though there is a theory which include him among the so-called “eight eccentrics of Yang chou,” he who from his young day traind him self in painting technique to build up his own style is a painter of quite a different quality from the “eight eccentrics of Yang-chou,” who began to paint in or after their middle age and whose repartory is limited to certain subject. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 236, p. 31-38, 発行日 1965-03-31 |
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