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御伽草子と土佐光信―鼠草紙絵巻考―
https://tobunken.repo.nii.ac.jp/records/6479
https://tobunken.repo.nii.ac.jp/records/6479b6ff16a8-98e2-4945-b822-859e636b911c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
313_1_Miya_Redacted.pdf (24.1 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 御伽草子と土佐光信―鼠草紙絵巻考― | |||||||||
| タイトル | ||||||||||
| タイトル | Otogi-zoshi and Mitsunobu Tosa: With Special Reference to the Nezumi Soshi | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 硯破絵巻（某氏蔵）・地獄堂草紙絵巻（某氏蔵）・鼠草紙絵巻（米国 フォッグ美術館蔵） | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Illustrated Handscroll of the Story of Suzuriwari, Private Collection / Book of the Story of Ksitigarbha Hall, Private Collection / Book of Rat Story, Kept by Fogg Art Museum, Cambridge | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
宮, 次男
× 宮, 次男
× Miya, Tsugio
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Illustrated handscrolls made in the Nambokuchō and Muromachi Periods based on Mediaeval novelettes are often called otogi-zōshi. In many cases, they have a folk-art-like style compared to the orthodox style of Heian and Kamakura illustrated handscrolls and in general are not highly evaluated from the artistic point of view. However, some are works of high quality and they were chiefly made to be enjoyed by Imperial household members, noblemen, Shogun family people and the like. For example, Jūnirui Kassen Emaki (Illustrated Handscroll of Battles between Twelve Kinds of Animals) whose text was written by Gosukō-in, a grandson of Emperor Sukō, and some works once owned by the Ashikaga Shogunate family such as Kitsune Sōshi (Book of Fox Story) and Suzuriwari Emaki (Illustrated Handscroll of the Story of Suzuriwari) (PI. III) are still extant. They are excellent works of Muromachi handscroll painting. Especially this is the case with Kitsune Sōshi and Suzuriwari Emaki which can be attributed to Mitsunobu TOSA, a master artist of the late Muromachi Period. Besides these, Jizōdō Sōshi (Book of the Story of Kșitigarbha Hall) (PI. IV) is attributable to Mitsunobu. Bakemono Sōshi (Book of Ghosts : Museum of Fine Arts, Boston), Kaeru Sōshi (Book of Frog Story : Nezu Art Museum) and Nezumi Sōshi (Book of Rat Story: kept by the Fogg Art Museum) (Pls. V to VII), are close in style. Nezumi Sōshi was attributed to Mitsunobu in catalogues of old paintings such as Yamato Nishiki according to Koga Bikō. It contains three illustrations and measures 16.6 cm in height. The story is a comical love story between a girl who lived with her widow mother and a rat which disguised itself in human form. The pictures are very finely painted and the rendition of figures and trees show characteristics of Mitsunobu's painting. Closest to this style is that of Seikōji Engi (Story of Seikōji Temple) painted by Mitsunobu in his early days, that is, in 1487. Based on such facts, the author judges that Nezumi Sōshi must be a work executed by him about 1469 around the year he became the head of the Painting Bureau of the Imperial Court and when he worked vigorously. If this presumption is proper, this is an important work for considering the formative stage of his art. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 313, p. 1-18, 発行日 1980-03-31 |
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