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川原慶賀考（一）
https://tobunken.repo.nii.ac.jp/records/6452
https://tobunken.repo.nii.ac.jp/records/6452767ba5fe-775f-4c38-9ace-bdec3e58065e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
306_1_Kagesato_Redacted.pdf (13.0 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 川原慶賀考（一） | |||||||||
| タイトル | ||||||||||
| タイトル | Keiga Kawahara, a Painter of Nagasaki | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 川原慶賀筆桃樹と果物籠・柘榴樹と果物籠・かるた取り・雛祭り・湯治場・文人の書斎・絵師の工房（オランダ 国立ライデン民族学博物館蔵） | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “Peach Tree and Fruit Basket,” “Pomegranate Tree and Fruit Basket,” “Games of Cards,” “Hinamatsuri Festival,” “Hot Spring Resort,” “Study of Literatus,” “Painter’s Atelier” by Keiga Kawahara, Rijks-museum voor Volkenkunde at Leiden | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
陰里, 鉄郎
× 陰里, 鉄郎
× Kagesato, Tetsuro
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Very little is known concerning Keiga KAWAHARA (1786- after 1860), a painter in Nagasaki, although he developed a unique Western-influenced repertory in painting there. Almost none of the considerable number of paintings he left are dated. Many of his works have his seal but few have his signature. His paintings can be classified into two categories. One is a group of works painted for foreigners and the other is a group of works for Japanese. The first group includes those made for J. C. BLOMHOFF (1779-1853), J. G. F. Van Overmeer FISSCHER (18001848) and P. F. Von SIEBOLT (1796-1866), at their request out of their political and academic interest. Keiga's works, in the Blomhoff-Fisscher Collection in the Rijks-museum voor Volkenkunde at Leiden, Netherlands, seem to have greatly contributed to the book on Japan written by Fisscher. The frontispiece of this book has a painting of an arrangement of several small pieces by Keiga. These small paintings are his copies Hokusai KATSUSHIKA'S wood-blockprinted book Hokusai Manga. Fisscher's description of typical Japanese life meets exactly with the scenes in a handscroll painting titled “Life of the Japanese”, which was presumably executed by Keiga. Koga Bikō, a Japanese book on old paintings compiled in mid-nineteenth century, contains a passage mentioning that Hokusai made a set of two illustrated handscrolls titled “Life of the Japanese” for a Dutchman. There must be some kind of a relationship between these works. The Rijks-museum voor Volkenkunde owns thirteen hanging scroll paintings by Keiga, four in the Siebold Collection and seven in the Blomhoff-Fisscher Collection. All thirteen scrolls have the artist's signature, an exceptional fact. These two collections are from different but successive periods. Therefore, they are useful materials for studying the development of Keiga's style, from 1817 to 1829. The works in these collections indicate that Keiga studied the methods of the Tosa-school-type of traditional Japanese painting and worked in the style of SHÊN Ch'üan, a Chinese painter who came to Nagasaki. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 306, p. 1-11, 発行日 1977-03-31 |
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