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鑑画会再考
https://tobunken.repo.nii.ac.jp/records/6429
https://tobunken.repo.nii.ac.jp/records/642976f9fa9c-e733-43e2-8cc5-df3d2e83f30c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
340_1_Satou_Redacted.pdf (28.5 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 鑑画会再考 | |||||||||
| タイトル | ||||||||||
| タイトル | Again on the Kangakai | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 橋本雅邦 毘沙門天図・山水図（米国 フィラデルフィア美術館蔵）・橋本雅邦 達磨図・寒山拾得図・明治十九年（米国 フリア美術館蔵）・狩野芳崖筆 飛龍戯児図・雪柳雉子図（米国 フィラデルフィア美術館蔵）・木村立嶽 楼閣図 明治十六年（米国 フリア美術館蔵）フェノロサ・狩野友信・小林永濯・渡辺省亭・下村観山・安藤廣近・飯島光峨・石渡玉壷・江口親雄・遠藤廣宗・大久保一岳（二世）・岡不崩・岡倉秋水・尾形月耕・加藤竹斎・金子玉淵・狩野勝玉・狩野忠信・芝永章・鈴木華邨・瀧村弘方・端館紫川・本多祐輔・前田錦楓・三島蕉窓・山内綾岡・山田成章・山本松渓・結城正明 | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “Bishamon Pursuing an Oni” by Gaho Hashimoto, Philadelphia Museum of Art / “Two Dragons in Clouds” by Hogai Kano, Philadelphia Museum of Art / “Landscape” by Gaho Hashimoto, Philadelphia Museum of art / “Pheasant on Snow-covered Branch” by Hogai Kano, Philadelphia Museum of Art / “Daruma” by Gaho Hashimoto, Freer Gallery of Art / “Two Chinese Taoist Immortals” by Gaho Hashimoto, Freer Gallery of Art / Chinese Palace Landscape” by Ritsugaku Kimura, Freer Gallery of Art | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
佐藤, 道信
× 佐藤, 道信
× Sato, Doshin
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Kangakai was an artists' club which aimed at the renovation of painting in traditional Japanese medium, founded at the initiative of Ernest F. FENOLLOSA in 1884. The activity of the club has been traced by art historians based on literary documents and its ideals have been studied on the ground of the analysis of the works by Hōgai KANŌ and other members. However, there was a limit in the past investigation since many of the works exhibited in their shows seem to have been sent out to the United States. The author, who recently had an opportunity to examine the relevant works in American museums such as Museum of Fine Arts, Boston, Freer Gallery of Art and Philadelphia Museum of Art, found there some pieces which might have been contributed to their exhibitions. In the present paper, the author lists up the works of artists related to the Kangakai and reconstructs the personal histories of the members including those who have been almost forgotten. His study of the characteristics of their activity revealed some interesting facts, namely, that Japanese art in the Meiji Era was linked with the Japonisme in the contemporary West and that Ernest FENOLLOSA and the Kangakai, as well, could not be out of the current. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 340, p. 1-27, 発行日 1987-11-30 |
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