WEKO3
アイテム
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The above title and the words of “Motoki mitihei kole wohol”, which mean “This was etched by Michihei MOTOKI”, are seen on the cover. This cover and nine anatomical pictures of human figures form a series of ten sheets. The former owner Hajime IKENAGA writes, “Michihei MOTOKI : unknown.” Tei NISHIMURA calls him “Michihei MOTOKI, a disciple of Choei TAKANO” and says that “Shinkei Ketsuraku Kaigen Zu” is his only remaining copperplate work and that he did not have any influence to talk about in this area.\n The name of Michihei MOTOKI (1794-1839) is included, together with Kazan WATANABE and Chōei TAKANO, among the eleven people prosecuted by Yōzō TORII as “a company who planned to sail for an unhabited islet” in the tenth year of Tempo Era (1839). Michihei was sentenced to imprisonment because he, after retiring from the position of low-rank vassal of the shogunate, excuted “copper work”, repaired the small guns with a percussion cap (blunderbusses) brought from Holland and tried to copy them. The term “copper work” used here seems to cover copperplate production. Perhaps the word was mentioned by himself during the investigation of his career. This is the only contemporaneous reference to Michihei\u0027s copperplate production.\n Besides the repair and casting of Western-type guns and the production of copperplates, he ran a pharmacy workshop and made generators of friction electricity. He thus was a versatile and dexterous person with scientific knowledge gained from Dutch learning and aspiration to adapt it.\n His copperplates now in question are not of his original idea, but a reproduction of the 1798 reprint in Dutch language of Tabulae Anatomicaé (1714) by Bartholomaeus Eustachius (ca. 1500-1574). The Japanese doctors in the early nineteenth century who studied Dutch medicine often made partial translation of this Dutch edition and copied or reprinted its plates. Michihei\u0027s reproduction enlarged from the folio-size model and added with colour and explanation may be highly evaluated when compared with other contemporary reprints of the same Dutch edition. This reproduction can be categorized as copperplates of the Edo school.\n In this paper, ten old editions made in the eighteenth century are introduced, of which the earliest one was published a hundred and sixty years odd after the original set of plates was brought into being.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "菅野, 陽"}], "nameIdentifiers": [{"nameIdentifier": "21305", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Sugano, Yoh", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "21306", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2021-04-28"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "347_17_Sugano_Redacted.pdf", "filesize": [{"value": "7.0 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 7000000.0, "url": {"label": "347_17_Sugano_Redacted", "url": "https://tobunken.repo.nii.ac.jp/record/6300/files/347_17_Sugano_Redacted.pdf"}, "version_id": "1b3dd84a-75c1-43ec-812c-5ee2cc2d6018"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "本岐道平 神経血絡開現図(神経系統図・心ヨリ全身ニ布延スル動静ニ幹枝ヲ露ハス図・神戸市立博物館蔵)洋風画", "subitem_subject_scheme": "Other"}, {"subitem_subject": "“Shinkei Ketsuraku Kaigen Zu” by Michihei Motoki, Kobe Municipal Art Museum", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "本岐道平の銅版画「神経血絡開現図」とエウスタキ解剖書", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "本岐道平の銅版画「神経血絡開現図」とエウスタキ解剖書"}, {"subitem_title": "Anatomical Etching Series by Michihei Motoki “Shinkei Ketsuraku Kaigen Zu” and Tabulae Anatomicae by Eustachius", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1017"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6300", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6300", "relation": {}, "relation_version_is_last": true, "title": ["本岐道平の銅版画「神経血絡開現図」とエウスタキ解剖書"], "weko_shared_id": 3}
本岐道平の銅版画「神経血絡開現図」とエウスタキ解剖書
https://tobunken.repo.nii.ac.jp/records/6300
https://tobunken.repo.nii.ac.jp/records/63001dd50044-1c4e-44e5-b2a2-3032ed3ebf7f
名前 / ファイル | ライセンス | アクション |
---|---|---|
347_17_Sugano_Redacted (7.0 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 本岐道平の銅版画「神経血絡開現図」とエウスタキ解剖書 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Anatomical Etching Series by Michihei Motoki “Shinkei Ketsuraku Kaigen Zu” and Tabulae Anatomicae by Eustachius | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 本岐道平 神経血絡開現図(神経系統図・心ヨリ全身ニ布延スル動静ニ幹枝ヲ露ハス図・神戸市立博物館蔵)洋風画 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Shinkei Ketsuraku Kaigen Zu” by Michihei Motoki, Kobe Municipal Art Museum | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
菅野, 陽
× 菅野, 陽× Sugano, Yoh |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | “Shinkei Ketsuraku Kaigen Zu” by Michihei MOTOKI is kept by Kobe Municipal Art Museum and is exhibited occasionally. The above title and the words of “Motoki mitihei kole wohol”, which mean “This was etched by Michihei MOTOKI”, are seen on the cover. This cover and nine anatomical pictures of human figures form a series of ten sheets. The former owner Hajime IKENAGA writes, “Michihei MOTOKI : unknown.” Tei NISHIMURA calls him “Michihei MOTOKI, a disciple of Choei TAKANO” and says that “Shinkei Ketsuraku Kaigen Zu” is his only remaining copperplate work and that he did not have any influence to talk about in this area. The name of Michihei MOTOKI (1794-1839) is included, together with Kazan WATANABE and Chōei TAKANO, among the eleven people prosecuted by Yōzō TORII as “a company who planned to sail for an unhabited islet” in the tenth year of Tempo Era (1839). Michihei was sentenced to imprisonment because he, after retiring from the position of low-rank vassal of the shogunate, excuted “copper work”, repaired the small guns with a percussion cap (blunderbusses) brought from Holland and tried to copy them. The term “copper work” used here seems to cover copperplate production. Perhaps the word was mentioned by himself during the investigation of his career. This is the only contemporaneous reference to Michihei's copperplate production. Besides the repair and casting of Western-type guns and the production of copperplates, he ran a pharmacy workshop and made generators of friction electricity. He thus was a versatile and dexterous person with scientific knowledge gained from Dutch learning and aspiration to adapt it. His copperplates now in question are not of his original idea, but a reproduction of the 1798 reprint in Dutch language of Tabulae Anatomicaé (1714) by Bartholomaeus Eustachius (ca. 1500-1574). The Japanese doctors in the early nineteenth century who studied Dutch medicine often made partial translation of this Dutch edition and copied or reprinted its plates. Michihei's reproduction enlarged from the folio-size model and added with colour and explanation may be highly evaluated when compared with other contemporary reprints of the same Dutch edition. This reproduction can be categorized as copperplates of the Edo school. In this paper, ten old editions made in the eighteenth century are introduced, of which the earliest one was published a hundred and sixty years odd after the original set of plates was brought into being. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 347, p. 17-33, 発行日 1990-03-31 |