WEKO3
アイテム
百武兼行小論―「ピエトロ・ミッカ図」をめぐって―
https://tobunken.repo.nii.ac.jp/records/6282
https://tobunken.repo.nii.ac.jp/records/6282dc0ecab4-0690-4936-9d4c-6a4fdfd54bb9
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
342_16_Miwa_Redacted.pdf (10.1 MB)
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| アイテムタイプ | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 百武兼行小論―「ピエトロ・ミッカ図」をめぐって― | |||||||||
| タイトル | ||||||||||
| タイトル | Kaneyuki Hyakutake and His Work “Pietro Micca” | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 百武兼行 ピエトロ・ミッカ図（明治十五年・東京 前田育徳会尊経閣文庫蔵・百武兼行 ワイト島のボンチャーチ（明治十二年頃）・百武兼行 老婦人像（明治十二年頃・佐賀県立美術館蔵）・百武兼行 マンドリンを持つ少女（明治十二年頃）・百武兼行模写 ネメアのライオンと闘うヘラクレス（明治十四年・十五年・東京 霞会館蔵） | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “Pietro Micca” by Kaneyuki Hyakutake, 1882, Sonkeikaku Library, Maeda Ikutokukai, Tokyo / Kaneyuki Hyakutake’s Copy of “Hercules Overcoming the Nemean Lion” by Peter Paul Rubens, 1881 or 1882, Kasumi Kaikan, Tokyo / “Bonchurch, Isle of Wight” by Kaneyuki Hyakutake / “Aged Woman” by Kaneyuki Hyakutake, Saga Prefectural Museum of Art / “Girl with a Mandlin” by Kaneyuki Hyakutake, 1879 | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
三輪, 英夫
× 三輪, 英夫
× Miwa, Hideo
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The datable works by Kaneyuki HYAKUTAKE (1842-1884) all belong to the short period from 1975 to 1882, during which he mostly resided in Europe. He studied first under Thomas Miles RICHARDSON Jr. (1813-1890) in London, then under Léon BONNAT (1833-1922) in Paris and finally under Cesare MACCARI (1840-1911) in Rome. Accordingly, he gradually changed his style reflecting the styles of the teachers. However, the change was of positive nature as is seen in “Bonchurch, Isle of Wight” from 1879 and “Pietro Micca” from 1882. The former is a landscape with impressionistic colouring, brushwork and composition, much freer and moderner than those with RICHARDSON's influence. On the other hand, the latter is a history painting whose subject is an Italian hero in the War of the Spanish Succession and its composition is close to “Hercules Overcoming the Nemean Lion” by Peter Paul RUBENS, whose copy by HYAKUTAKE remains. These two works illustrate his shift from impressionistic landscape to the traditional European theme of history painting, which might be taken as a stylistic shift toward the past. The intrinsic reason for it existed in his ideal concerning the assimilation of Western painting. He considered that the assimilation of firm academicism, not of Impressionism, was the first necessity, and “Pietro Micca” was painted uner this conviction. Such an attitude of HYAKUTAKE as a student abroad represents one of the typical views conceived by the Western-method painters in the early Meiji Era. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 342, p. 16-24, 発行日 1988-03-31 |
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