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雪舟等楊の研究（三）―「秋冬山水図」の情報学（上）―
https://tobunken.repo.nii.ac.jp/records/6250
https://tobunken.repo.nii.ac.jp/records/6250c1b2ed84-cf2e-49f6-975b-16868c3dad1e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
372_1_Shimao_Redacted.pdf (20.8 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 雪舟等楊の研究（三）―「秋冬山水図」の情報学（上）― | |||||||||
| タイトル | ||||||||||
| タイトル | Research on Sesshu Toyo (3): Information Gleaned from the Autumn and Winter Landscape | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 夏珪様・筆様制作・春林周藤・相国寺・東福寺・山口・室町水墨画 | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
島尾, 新
× 島尾, 新
× Shimao, Arata
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The Autumn and Winter Landscapes, particularly the Winter Landscape, hold a special place in Muromachi period ink painting. Indeed, the Winter composition is unique, with its camera lens-like focus on the layering of rocks from the foreground, and the captivating effect of the rock outline which slashes vertically across the center of the composition. All of these extraordinary qualities derive from Sesshû's genius as a painter. All that can be seen in the composition reflect individual acts by a gifted painter. And yet, Sesshû was not free from the social conditions of his time and clearly these paintings are in the Xia Guei style, created under the conditions imposed on an artist when “painting in the style of earlier masters.” This essay will re-position and examine the Autumn and Winter Landscapes in several different contexts and consider what kinds of information can be read from the painting. There is a neutral relationship between the ways in which these contexts were chosen, and the manner of our discourse about them. And naturally an investigation of the discourse about the paintings and their artist will arise during the course of the essay. The article first examines the discourse on Autumn and Winter Landscapes and extracts the issues raised. Continuing on, the process by which these works were painted will be elucidated through a confirmation of Sesshû's characteristic painting methods as seen in Autumn and Winter Landscapes and a consideration of these characteristics in three contexts, 1) a “broad stylistic history” seen in an overview of East Asian painting, 2) the context of “painting in the style of” as practiced in the Japanese context, and finally, 3) the context of Sesshû as an individual. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 372, p. 1-19, 発行日 1999-03-25 |
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