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  1. 無形文化遺産研究報告
  2. 10号

室町時代のアクセント推定の方法―謡「松風」を例に―

https://doi.org/10.18953/00003179
https://doi.org/10.18953/00003179
23fb56c1-f076-4c70-8f2c-0069ccb0b6f9
名前 / ファイル ライセンス アクション
2015_sakamoto.pdf 2015_sakamoto.pdf (852.9 kB)
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Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-07-13
タイトル
タイトル 室町時代のアクセント推定の方法―謡「松風」を例に―
タイトル
タイトル Assumption regarding Accent in the Noh Chant “Matsukaze” in the Muromachi Era
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.18953/00003179
ID登録タイプ JaLC
著者 坂本, 清恵

× 坂本, 清恵

坂本, 清恵

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Sakamoto, Kiyoe

× Sakamoto, Kiyoe

en Sakamoto, Kiyoe

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内容記述タイプ Abstract
内容記述 It is said that the traditional music of Japan reflects the accent in Japanese which is realized by pitch. Research until now has shown that the scores of such genres of music as shomyo (Buddhist sutra music), heikyoku (chanting of the Tale of Heike played to the accompaniment of heike biwa ), and gidayubushi (narrative accompanied by a shamisen in bunraku puppet theater) reflect the accent used at the time of their composition.
The purpose of the present paper is to show, using the noh chant “Matsukaze” as an example, how noh chants of the Muromachi era are used to investigate the accent system of Kyoto in the same period. The paper will also explain how accent is assumed for words lacking descriptive evidence by extrapolating from their structure and their accentual classes. By comparing the goma marks for “Matsukaze” in Go-on san-gyoku shu , a text on noh chants by KOMPARU Zenchiku, and those by KOMPARU Yoshikatsu, this paper attempts to clarify how goma marks found in books of noh chants for the Muromachi era reflect the accent of the time.
書誌情報 無形文化遺産研究報告
en : Research and Reports on Intangible Cultural Heritage

号 10, p. 65-74, 発行日 2016-03-31
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