@article{oai:tobunken.repo.nii.ac.jp:00009104,
 author = {宮田, 繁幸 and Miyata, Shigeyuki},
 issue = {15},
 journal = {無形文化遺産研究報告, Research and Reports on Intangible Cultural Heritage},
 month = {Mar},
 note = {The new coronavirus infection, which was first confirmed at the end of 2019, has not yet been brought under control, with a cumulative number of approximately 80 million people infected worldwide, although there are some signs of hope, such as the commercialization of a vaccine. The impact of this coronary infection is spreading globally and affecting all areas of social life. The present paper focuses on intangible cultural heritage, especially traditional performing arts, and public support for them under such a situation. 
　　The Japanese government’s support for the arts and culture sector, which was hit hard by the corona disaster, started a little late due to the unfavorable conditions at the turn of the fiscal year, but the budget has reached a certain scale that can be evaluated. However, it must be denied that the government’s support has given a sense of security to the recipients. In Germany, in March and April, the heads of the cultural administration and the federal government announced in their own words their strong support for the field of culture and the arts, and made it clear that this would be a top priority in the government’s measures against corruption. In fact, the government has been speedily implementing the support. In the case of Japan, by contrast, the following four points have hindered the effectiveness of the support.
1. Lack of clear emphasis on arts and culture
2. Lack of speed
3. Complicated procedures
4. Difficulty in understanding the information desk for support
　　All parties involved in culture and the arts have the right and the obligation to advocate to the government for further enhancement of public support and improvement of the current bottlenecks.},
 pages = {33--46},
 title = {コロナ禍における無形文化遺産への支援},
 year = {2021}
}