{"created":"2023-05-15T13:35:42.284744+00:00","id":7036,"links":{},"metadata":{"_buckets":{"deposit":"52dd7c54-2a4a-4b82-b315-3306507a416b"},"_deposit":{"created_by":3,"id":"7036","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"7036"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00007036","sets":["20:1200:1215"]},"author_link":["28315","28314"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1954-09-10","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"175","bibliographicPageEnd":"21","bibliographicPageStart":"14","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     It seems that Koryö nacre inlay works were produced quite fashionably, but their existing specimens are very few. It is hard to tell anything definite about their ages and other data from these scarce examples. On the other hand, there are many works of celadon pieces with decorations in clay inlay, some of which are considered to be associable with nacre inlays. A comparative study of them may be of some help in research on nacre inlay designs.\n     There are some shapes of vessels in common between nacre inlay works and celadon or metalwork pieces. In designs the similarity is more abundant. It can be fairly imagined that there existed considerably close interrelations among designs of different fields of Koryö handicraft arts.\n     Among the designs found on nacre inlays and clay-inlaid celadons, those used in common between them and particularly similar to each other are chrysanthemum sprays and chrysanthemum scrolls. Especially the chrysanthemum sprays on the pieces in the Tokyo National Museum in Japan and in the former Li Royal Museum in Korea, with the stems and leaves below the flowers and three leaves respectively above and on either side of the flowers, find many counterparts on inlaid celadons, though with more or less modifications in the treatment of the flowers.\n     It is said that clay-inlaid celadons with ornamental designs began to be made in the times of the seventeenth emperor In Jong or the eighteenth emperor Ui Jong (1123-1170). There are specimens with chrysanthemum spray designs from as early as the reigns of Ui Jong and Myong Jong (1172-1197). The shapes and styles of these vessels begin to be conventionalized and deformed in the times of the twenty-third emperor Ko Jong to the twenty-fifth, Chung Nyol Wang (1214-1308). The same tendency can be noticed in the chrysanthemum spray designs in the periods of Won Jong (1260-1274) and Chung Nyol Wang.\n     The sūtra box in the Tokyo National Museum has elements in common with inlaid celadons of their best times, in all of its chrysanthemum spray design, the style of its ornamentation and the neat, graceful effect of these. The said box dates from about the thirteenth year of Won Jong (1272), and is representative of what is considered to be one of excellent types of nacre inlay art of the time. At this time the best period of celadon was already past, and its designs had begun to be conventionalized, but it seems that in nacre inlay art the style of celadon designs at their prime of development was still in vogue.\n     The chrysanthemum spray design on the toilet set box in the former Li Royal Museum resembles similar designs of clay inlay on celadons of their best times, and its style is older than that of the above-mentioned sūtra box. We can reasonably ascribe it to the period in which celadon designs were at the height of progress. The fact proves that such chrysanthemum spray designs in such a style were used both in nacre inlay and in clay inlay on celadon, and that these designs became conventionalized rather early in the case of celadon while they remained intact in nacre inlay.\n     The incense box with willow and water-fowl design in the former Li Royal Museum has a kakego (shallow tray inside a box) on which is found a chrysanthemum spray design, but the writer refrains from discussing about it as he is not well informed about its details. A propos of this, there is a theory regarding this willow and waterfowl design that it was derived from a natural scenery which was in the favour of the emperor Ui Jong. The writer would attempt a presumption that there might also be considered some relationship between it and the “lotus pond and water-fowl” designs found on Sung celadons ; furthermore, he feels that it is somewhat similar to the picture of a spring scenery painted on the southeastern wall of the central hall in the Ch'ing Lung, a tomb of the Liao Dynasty of the Ch'i-tan tribe. An ancient itinerary to Koryö Korea has in passage a statement that Liao crafts of decorative arts were transmitted to Korea; from this record it may be reasonably inferred that Liao designs of these handicrafts had some influence on Korean ones. Perhaps the Liao influence may have had some association with the origin of such willow and water-fowl designs as the one on the above-mentioned box.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中川, 千咲"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Nakagawa, Sensaku","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-12-27"}],"displaytype":"detail","filename":"175_14_Nakagawa_Redacted.pdf","filesize":[{"value":"12.7 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"175_14_Nakagawa_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/7036/files/175_14_Nakagawa_Redacted.pdf"},"version_id":"c3a4b6cc-d0ba-48a1-9a95-e9c2f662b974"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"高麗青磁象嵌鳳凰雲鶴文小箱（某氏蔵）","subitem_subject_scheme":"Other"},{"subitem_subject":"Korean Designs Found on Koryo Nacre Inlays and Clay-inlaid Celadons","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"高麗螺鈿と青磁象嵌の文様について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"高麗螺鈿と青磁象嵌の文様について"},{"subitem_title":"Korean Designs Found on Koryo Nacre Inlays and Clay-inlaid Celadons","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1215"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-12-27"},"publish_date":"2016-12-27","publish_status":"0","recid":"7036","relation_version_is_last":true,"title":["高麗螺鈿と青磁象嵌の文様について"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:07:33.065632+00:00"}