WEKO3
アイテム
烏合会について
https://tobunken.repo.nii.ac.jp/records/6840
https://tobunken.repo.nii.ac.jp/records/6840b0736d22-f4af-4c92-88f1-5ce8df0b064f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
209_35_Seki_Redacted.pdf (14.4 MB)
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| アイテムタイプ | 学術雑誌論文 / Journal Article(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 烏合会について | |||||||||
| タイトル | ||||||||||
| タイトル | The Ugo-kai Society | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 浮世絵・鏑木清方 | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
関, 千代
× 関, 千代
× Seki, Chiyo
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Japanese painting circle during the third decade of the Meiji Period (1897 - 1906) was enlivened by the general prosperity of the society following the victory in Sino-Japanese War. It developed dashing activity and gave birth to many groups of artists. The Ugō-kai is one of the groups of artists which emerged on the wave of prosperity. It attracted special attention for its unique characteristics : studies by its members were exclusively directed towards figure subjects, and the majority of its members were artists along the line of Ukiyo-e traditional since the Edo Period (early 17th to mid-19th centuries). Originally it was a small group of artists and art lovers, from which it was enhanced into a notable organization. Beginning in 1901 it held twenty-three exhibitions until 1912, as are described in details in this article. During this period the artists belonging to it endeavoured diligently for the resurrection of the old style of Ukiyo-e as a modern type of painting ; for this purpose they also studied the forms and techniques of Western art. Their efforts gradually made way into Bun-ten (Education Ministry Art Exhibition) and In-ten (Nippon Bijutsu-in Exhihition) organizations, which were the central institutions of Japanese painting, and achieved a notable success. KABURAGI Kiyokata, who held the leading position in the society throughout the period of its activity and who created a unique style out of that of Ukiyo-e, was honoured with the Cultural Decoration in 1954. The fact proves that the activity of the Ugō-kai was recognized officially ; in other words, that it motivated the old Japanese painting on figure subjects to attain a renewed development in modern art. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 209, p. 35-47, 発行日 1960-06-30 |
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