{"created":"2023-05-15T13:35:32.808388+00:00","id":6825,"links":{},"metadata":{"_buckets":{"deposit":"4f98ffa6-f676-4096-96f9-d722bed17222"},"_deposit":{"created_by":3,"id":"6825","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6825"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006825","sets":["20:1157:1162"]},"author_link":["27615","27614"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1960-04-25","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"205","bibliographicPageEnd":"39","bibliographicPageStart":"15","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     Of the scroll-paintings illustrating the life and career of Ippen, the founder of the Ji-shū Sect of Buddhism, there are two types: one includes the Ippen Hijiri-e (picture of Saint Ippen) in twelve scrolls owned by Kankikō-ji Temple in Kyoto, edited by the priest Shōkai (the younger brother and a disciple of Ippen), and scrolls based upon this original; the other refers to those based upon the Ippen Shinin Ekotoba-den (illustrated biography of Saint Ippen), edited by the priest Sōshun, which was formerly in Shōjōkō-ji Temple at Fujisawa in Kanagawa and which was lost in fire in 1911. The present writer herein discusses on En-i, the artist of the Ippen Hijiri-e in Kankikō-ji.\n     This set has a colophon including a date of 1299 and the statement that it was painted by En-i, a man with the ecclesiastical rank Hōgen, and is held in especially great importance for its high artistic value and for the fact that its age and artist are clearly indicated. Concerning this artist, the Hōgen En-i, studies by several scholars have been published, with the conclusion as follows. In Onjō-ji Temple in Shiga there was a priest named En-i, who participated in Buddhist observances of the Imperial Court between 1288 (the year before the death of Ippen) and 1323, during which period, in 1301, he was promoted to the Hōin, the highest of Buddhist ecclesiastical ranks. This En-i is identical with En-i, the artist who painted the Ippen Hijiri-e. The author, however, is skeptical about this theory. Firstly, was it possible that in those times of furious rivalry between old and new sects of Buddhism, a priest of an old sect (Onjō-ji belonged to the Tendai, one of the old Esoteric sects) should have painted the biography of the founder of the Ji-shū Sect (which was unique even among the newly risen sects, characterized by dance-prayers), and been promoted soon thereafter to the highest rank of priests? Secondly, if the subject scrolls should have been painted by En-i of Onjō-ji, how can we account for the fact that his painting does not show characteristics of iconographic drawing which was a necessary training for priestpainters of Esoteric Buddhism? Thirdly, why is it that a certain manuscript (written by the Emperor Hanazono), though giving relatively frequent mention of En-i of Onjō-ji, never refers to this scroll-painting or to the ability of this priest as an artist? The previous theory disregarded the fact that En-i, the artist of Ippen Hijiri-e, is a painter of distinguished skill, and that his art was in a new style of the time showing influence of Chinese painting. The present writer concentrates his study on En-i on the Ippen Hijiri-e, which is the only work of the artist and in fact the only source of information about him.\n     In style the twelve scrolls of the Ippen Hijiri-e can be classified into three groups, as follows: Group A, from the first to third scrolls ; Group B, from the fourth to seventh ; and Group C, from the eighth to twelfth. In Group A the influence of Sung-Yüan painting is the most obvious; in it natural sceneries are emphasized and human affairs are scarce like in a Chinese landscape scroll. Group B lays importance on human affairs and landscapes are just background settings. Group C, painted in rich colour, has much of the style of Yamato-e, and is somewhat different from the other two. The twelve scrolls, however, are controlled throughout with a consistent design, and have the same way of representation in common among them all. The writer believes that there was an art studio centering around En-i, and that artists belonging to this studio worked on the subject set jointly under the leadership of En-i.\n     There exists no other scroll-painting of the time which is similar in style to the Ippen Hijiri-e, but some mandara paintings relating to Shintoism and illustrations of legendary stories in hanging-scroll form show certain stylistic resemblance to it. The fact leads the author to imagine the existence, from the late thirteenth to early fourteenth centuries, of a school of artists with En-i as its leader. In conclusion, he thinks that En-i who was responsible for the Ippen Hijiri-e was not a priest in Enryaku-ji but a priest-painter who made painting his speciality.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"宮, 次男"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Miya, Tsugio","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"205_15_Miya_Redacted.pdf","filesize":[{"value":"22.8 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"205_15_Miya_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6825/files/205_15_Miya_Redacted.pdf"},"version_id":"ef802644-86fb-4b19-a785-82cb782459fe"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"一遍聖絵断簡（歓喜光寺本第六巻江之島の図・神奈川　瀬津巌氏蔵）・一遍聖絵（第十一巻第一段・京都　歓喜光寺蔵）絵巻","subitem_subject_scheme":"Other"},{"subitem_subject":"Detached Segment of Ippen Hijiri-e, Kankiko-ji Version, Coll. Mr. Setsu Iwao, Kanagawa / Ippen Hijiri-e, Owned by Kankiko-ji, Kyoto","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"一遍聖絵と円伊","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"一遍聖絵と円伊"},{"subitem_title":"The “Ippen Hijiri-e” and the Artist En-i","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1162"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6825","relation_version_is_last":true,"title":["一遍聖絵と円伊"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:13:51.599178+00:00"}