@article{oai:tobunken.repo.nii.ac.jp:00006466,
 author = {神谷, 榮子 and Kamiya, Eiko},
 issue = {310},
 journal = {美術研究, The bijutsu kenkyu : the journal of art studies},
 month = {Jun},
 note = {Here introduced is one of the forty-seven sheets of bird sketches which are now preserved in the British Museum, and the set has a colophone which indicates that this version was made by Tōmin NODA, a disciple of Tōshun KANŌ, the fourth master of the “Kanō Family of Surugadai”, in the fourth year of Kansei Era (1792), based on Tan-yū KANŌ's original, which was in the collection of Tōshun KANŌ. It is recognizable from comparison of the carefully transcribed notes and dates (1660, 1663, 1667 and 1668) in the set with those in Tan-yū's voluminous sketchy copies of older paintings and his own sketches of plants and flowers, that a large part of the original must have been by Tan-yū. The excellent quality of the copied pictures themselves as seen in Pl. VIII supports this assumption.
     In addition to the sketches of plants now in the Tokyo National Museum and the Kyoto National Museum, there are fragmentary sketches of cranes (fig. 2) which accompany a certain group of sketchy copies of older paintings by him. Therefore, it has been known that he also sketched birds, and the work introduced here serves as supplementary material for considering his sketching activities.
     Another value of this copy is that it has considerable “iconological” relationship with Kōrin OGATA's sketches of animals and birds as shown in figs. 3 to 7. The relationship suggests that Kōrin might well have used Tan-yū's sketches as models when he made his sketches of animals and birds. In the formation of Kōrin's style, he may have studied Tan-yū's work much more than is now widely believed.},
 pages = {11--24},
 title = {新資料　紀州東照宮の服飾類　中―紀州東照宮服飾類調査報告　一―},
 year = {1979},
 yomi = {［神谷栄子・田実栄子］}
}