@article{oai:tobunken.repo.nii.ac.jp:00006442,
 author = {神谷, 榮子 and Kamiya, Eiko},
 issue = {303},
 journal = {美術研究, The bijutsu kenkyu : the journal of art studies},
 month = {Oct},
 note = {Two sixteenth-century examples of warrior's haori decorated with komon design are discussed in this paper. Komon is a technique of fine paper-stencil dye, which was also used for decorating the formal suits of warriors. Haori is a kind of coat which was called dōbuku and worn over kosode, the prototype of the present kimono. The oldest remaining example of komon dyeing is on a hemp summer wear garment for Kenshin UESUGI (1530–1578), (Pl. I, No. 233, the Bijutsu Kenkyu). The two pieces introduced here chronologically follow this piece. Of the two, the one worn by Hideyoshi TOYOTOMI (1536–1598) and handed down by the KATAKURA Family is slightly older. The other which was worn by Ieyasu TOKUGAWA (1542–1616) and handed down by the Tōshogū Shrine, Nikkō, is better preserved and gives one a grand feeling. The latter has the TOKUGAWA Family's coat of arms in five places. 
     In both cases the stencil patterns were dyed on plain-weave silk cloth, which is about seventy-three cm wide considered to have been imported. The Western type of curved cutting, which differs from the traditional Japanese straight cutting, was applied to considerable extent, in both examples.
     Since the two dōbuku in question have many points in common, a comparative study of them is made here, accompanied by a number of photographs and drawings. Pls. I to IV illustrate the two dōbuku in question and Pls. V and VI illustrate those which are compared to them.},
 pages = {10--21},
 title = {片倉家並びに日光・東照宮伝来の小紋胴服二領について},
 year = {1976},
 yomi = {［神谷栄子・田実栄子］}
}