{"created":"2023-05-15T13:35:12.596948+00:00","id":6416,"links":{},"metadata":{"_buckets":{"deposit":"e53b8d65-917f-4d99-b64f-0ef9cfee6067"},"_deposit":{"created_by":3,"id":"6416","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6416"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006416","sets":["20:1031:1047"]},"author_link":["26776","26777"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1986-08-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"336","bibliographicPageEnd":"29","bibliographicPageStart":"19","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     Many emaki handscrolls known as Hachiman Engi exist today. They illustrate the stories of Empress Jingu and of her son Emperor Ōjin's manifestation as Hachiman Daibosatsu after his death and how he came to be revered as God Hachiman.\n     The extant examples of the Hachiman Engi can be categorized roughly into two types on the basis of the comparison of the text and illustration as follows.\n     Type A. Eight examples in which the title Hachiman Daibosatsu Goengi is written at the head of the scroll : One soroll in the Asian Art Must um of San Francisco, with a colophon of the year 1389; One in the Tomobuchi Hachiman shrine, Wakayama; Two in the Itsuō Art Museum, Osaka; Two Enahachimangū Engi scrolls formerly in the Akagi Bunko with a colophon of the year 1402; One in the National Institute of Japanese Literature with a colophon of the year 1466; One formerly in the Hamatenjinsha shrine, Hyōgo, with a colophon of the year 1527; Two in the Tenri Library, Nara, with a colophon of the year 1531; Two in the Hachimannatagū shrine, Oita, with a colophon of the year 1560.\n     Type B. Four examples which do not bear the title at the head of the scroll but are known as Hachimangū Engi: One scroll formerly in the Iwashimizu Hachimangū shrine, Kyoto, with a colophon of the year 1433 (destroyed in fire in 1947); Two scrolls of the Jingū Kōgō Engi in the Konda Hachimangū shrine, Osaka, with a colophon of the year 1433; Two in the Tōdaiji temple, Nara, with a colophon of the year 1535, which says, “painter, Sōken; text, Kōjun of the temple”; Two in the Yuzuhara Hachimangū shrine, Oita, whose colophon says, “illustration, Fujiwara Mitsumochi; text, Prince Sonchin.”\n     Characteristics of the examples in Type A are: The text shows some redundancy and is not well edited; illustrations focus on the main themes and abbreviate the background and minor pictorial elements; neither colouring nor rendition shows much refinement. All of these lead the author to presume that the prototype of the Type A examples\nwas not produced by a professional artist but rather by an amateur.\n     Those in Type B, on the other hand, have well -organized text and minute illustration based on the yamato-e tradition. Moreover, in the production of the Type B examples involved were such nobles as the people of the Ashikaga shogunate, Imperial family members and those related to the Tōdaiji. Another characteristic of the examples in Type B is that the origin of the Hachimangū shrines to which they were donated is illustrated at the end, which makes them serve as a literature concerning the history of the shrines whereas those in Type A concentrate on the stories of the God Hachiman Daibosatsu.\n     Type A examples enjoyed popularity over a wide area, having been produced out of the general Hachiman belief. And this is reflected in the style of the painting which is simple and unrefined. Type B examples on the contrary were produced in the yamato-e style as they were to be circulated in the aristocratic circles.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"宮, 次男"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Miya, Tsugio","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-04"}],"displaytype":"detail","filename":"336_19_Miya_Redacted.pdf","filesize":[{"value":"10.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"336_19_Miya_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6416/files/336_19_Miya_Redacted.pdf"},"version_id":"e684d4e7-4efe-4ea4-982e-fdda4c74bfcc"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"八幡大菩薩御縁起（大阪　逸翁美術館蔵）","subitem_subject_scheme":"Other"},{"subitem_subject":"Hachiman Daibosatsu Engi, Itsuo Art Museum, Osaka","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"八幡大菩薩御縁起と八幡宮縁起　下","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"八幡大菩薩御縁起と八幡宮縁起　下"},{"subitem_title":"Illustrated Stories of Hachiman Daibosatsu and Illustrated Stories of the Hachimangu (Part III)","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1047"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6416","relation_version_is_last":true,"title":["八幡大菩薩御縁起と八幡宮縁起　下"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:34:53.239535+00:00"}