@article{oai:tobunken.repo.nii.ac.jp:00006367,
 author = {鶴田, 武良 and Tsuruta, Takeyoshi},
 issue = {324},
 journal = {美術研究, The bijutsu kenkyu : the journal of art studies},
 month = {Jun},
 note = {Many of the painters who came to Edo Period Japan from China were merchants and boat owners whose records remain only in Japan. On the contrary, many of the painters who came from China to Japan in the early Meiji Era were also recorded in China. In the present peper, two of such artists, Lu Hsüeh-ku 羅雪谷 and HU T‘ieh-mei 胡鉄梅 to are discussed.
     The first name of the former is Ch‘ing 清, and Hsüeh-ku is a pseudonym. His homeland is Fanyü-hsien, Kwangtung Province. He was good at finger painting and specialized in orchid-and-bamboo and plum-and-stone paintings. He came to Japan about the third or fourth year of the Meiji Era (18701871) and went back to China around the ninth year of the era (1876). He mainly stayed in Tokyo and was associated with scholars and people of fame. “Orchids, Bamboos and Stones” reproduced in P1. VIII is a representative work and the style does not exhibit the local taste of Kwangtung.
     HU T‘ieh-mei (1848-1899) was a man from Tung-ch'êng, Anhwei Province. His first name is Chang 璋 and Tieh-mei is a pseudonym. He came to Japan in the autumn of the twelfth year of the Meiji Era (1879) and went back to China in the nineteenth or twentieth year of Meiji (1886 or 1887). He mainly stayed in Nagoya and lived by selling his works. Back in China, he started the publication of Su-pao, but was involved in the Wu-hsüpien-fa movement and exiled himself to Japan in 1898 and died and was buried in Kobe in the next year. His paintings of such subjects as landscapes, flowers, birds and human figures remain and their styles are versatile. “Sixteen Arhats” in Pl. IX is a typical example.},
 pages = {23--29},
 title = {羅雪谷と胡鉄梅―来舶画人研究―},
 year = {1983}
}