@article{oai:tobunken.repo.nii.ac.jp:00006348,
 author = {鶴田, 武良 and Tsuruta, Takeyoshi},
 issue = {359},
 journal = {美術研究, The bijutsu kenkyu : the journal of art studies},
 month = {Mar},
 note = {In China during the Republican Period there were several Western style artists whose works display an idiosyncratic style. Yang Weiquan (1885 -1941-) was one such artist who attempted to achieve in painting the effect of the Western technique of papier collé.
     Other than the fact that Yang Weiquan was born in Minhou in Fujian Province, and that he was a member of the Chinese Painting Society (Zhongguo Huahui), little else is known about this artist's career. All of the seven known works by Yang Weiquan imitate papier collé, and were produced during the 1930s. There is nothing particularly notable about these works, but the work in the Mei Lanfang Memorial Museum in Beijing includes a small circular portrait of Mei Lanfang which seems as if it were cut out of a photograph and pasted to the center of the image. It is probable that Yang Weiquan became known for his paintings imitating papier collé because of the novelty of his subjects, and the portraits which he incorporated into his pictures.},
 pages = {28--29},
 title = {図版解説　楊渭泉の倣パピエ・コレ作品―民国期絵画資料―［岐阜　高橋廣峯氏蔵・神奈川　個人蔵］},
 year = {1994}
}