{"created":"2023-05-15T13:35:04.788215+00:00","id":6287,"links":{},"metadata":{"_buckets":{"deposit":"2b5be543-ece5-466f-8e2e-11601e2a4da2"},"_deposit":{"created_by":3,"id":"6287","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6287"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006287","sets":["20:1010:1013"]},"author_link":["26513","26512"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1989-02-28","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"343","bibliographicPageEnd":"45","bibliographicPageStart":"37","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     A hanging scroll of “Amitābhā Triad” (P1. I to IV) in the Kongōji (widely known as Takahata Fudā) in Hino City, Tokyo bears an inscription which states that the painting was executed by Nobukiyo KATŌ (1743-1810) in 1794. The work as a whole appears to be an ordinary picture, but, if one closely observes it, the details consist of minute letters. The picture is composed of 1) outlined colour areas of the ground, 2) minute, decorative letters which cover the coloured ground, and 3) contours made by aligning decorative but decipherable letters. The contour lines of the body of Amitābhā are repetition of the Chinese characters which are read “Namu Amidabutsu” in Japanese and those of the other parts are the text of the three important scriptures of pure-land belief, namely, Wu-liang-shou-ching, Kuan-wu-liang-shou-ching and A-mi-to-ching.\n     According to literary materials of the Edo Period, Nobukiyo KATŌ was known for the set of fifty hanging scrolls of five hundred arhats composed of the text of the Lotus Sutra, which was made for the Ryūkōji in Edo (moved to present Nakano-ku, Tokyo, in 1908). The work is presumed to have been completed in 1792, for the editions after 1792 of the calendrical year book on the annual events in Edo called Zōho Edo Nenjū Gyōji refer to the display of the work for the public. The biography of the artist and a detailed description of the work are contained in Jiunzan Ryūkōji Gohyaku-rakan-zu Ki, a record of the interview with Nobukiyo KATŌ and observation of the work, written by Daiten Kenjō (1719-1801), a priest of the Shōkokuji, Kyoto, in 1792. The work itself left the temple in 1892 and its whereabouts is not clear. But, according to Mr. Masatomo KAWAI, one of the scrolls is in the Mary and Jackson BURKE Collection and is introduced in “Practice and Piety : Buddhist Art in Use” by Ms. Laura KAUFMAN in Appolo, No. 276 (Feb. 1985).\n     The religious art of the Edo Period is represented by such monk artists as Hakuin, Sengai, Enkū and Mokujiki, but we should pay attention to nonreligious painters like Nobukiyo as well. In this case, his interest in an eye-deceiving painting method exceeds the religious motive. On the other hand, the multifaceted character of painting before it was crowned with the concept of “art” is shown here in close relation to the religion and belief of the Edo Period people which are different from present ones.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鈴木, 廣之"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Suzuki, Hiroyuki","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"343_37_Suzuki_Redacted.pdf","filesize":[{"value":"11.6 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"343_37_Suzuki_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6287/files/343_37_Suzuki_Redacted.pdf"},"version_id":"40c9a473-7209-46de-b0c4-6060bc864591"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"文字絵","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"図版解説　遠塵斎加藤信清筆　阿弥陀三尊像［東京　金剛寺蔵］","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"図版解説　遠塵斎加藤信清筆　阿弥陀三尊像［東京　金剛寺蔵］"},{"subitem_title":"Explanation of Plates: “Amitabha Triad” by Nobukiyo Kato, Kongoji, Tokyo","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1013"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6287","relation_version_is_last":true,"title":["図版解説　遠塵斎加藤信清筆　阿弥陀三尊像［東京　金剛寺蔵］"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:36:08.015119+00:00"}