{"created":"2023-05-15T13:35:04.384089+00:00","id":6280,"links":{},"metadata":{"_buckets":{"deposit":"225dd59b-9d85-4dd2-80b7-22ae4c36618f"},"_deposit":{"created_by":3,"id":"6280","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6280"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006280","sets":["20:1010:1012"]},"author_link":["26497","26496"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1988-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"342","bibliographicPageEnd":"6","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     In the series of papers on Chinese painters who came to Japan in the Edo period, which were publi- shed in the Bijutsu Kenkyu and the Kokka, the present author pointed out that the works by such painters as WANG Ku-shan, SUNG Tzü-yüan, SHÊN Nan-p'in, LIANG Chi and KAO Ch'ien were markedly distinct from contemporary paintings in China and were rather close to Edo Pieriod Japanese paintings in taste. Since the birth places of these painters are limited to the northwestern part of Chekiang Province and since they are people of the eras from Yung-chêng to Ch'ein-lung, he presumed that this kind of distinctive style with Japanese-like flavour was more or less common in a certain area in the northwestern part of Chekiang from K'ang-hsi Era to the end of Ch'ien-lung Era.\n     In the present paper, the author introduces “Mandarin Ducks” by T'UNG Hêng and “Golden Pheasants and Peonies” and “Cat and Hollyhocks” by WANG Wu, and notices the kinship between these paintings and the style of CHÊN Nan-p'in. He assumes that there were the category of upper-class painters who specialized in works for appreciation and the category of lower-class, artisan-type painters who produced practical works for the use as presents in celebration of marriage, promotion, longevity or the like in Ming and Ch'ing Dynasties and that those whose works remain but whose names were not recorded in books of Chinese painting history were of the second category. The author thinks that the two-sidedness of the works by SHÊN Nan-p'in can be explained by the interpretation that he was a painter located between the two categories. WANG Wu is also defined as a similarly two-sided painter here.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鶴田, 武良"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Tsuruta, Takeyoshi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"342_1_Tsuruta_Redacted.pdf","filesize":[{"value":"9.7 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"342_1_Tsuruta_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6280/files/342_1_Tsuruta_Redacted.pdf"},"version_id":"0c89bf63-a8c9-4555-93ed-be7825c99de7"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"王武筆牡丹錦鶏図・蜀葵貍奴図（兵庫　個人蔵）・王武筆花卉冊（阿部コレクション・大阪市立美術館蔵）・龍衡筆柘榴鴛鴦図（米国　セントルイス美術館蔵）","subitem_subject_scheme":"Other"},{"subitem_subject":"“Golden Pheasants and Peonies” and “Cat and Hollyhocks” both by Wang Wu, Private Collection, Hyogo / “Mandarin Ducks” by T’ung Heng, St. Louis Art Museum / “Album of Plant Paintings” by Wang Wu, Abe Collection, Osaka Municipal Art Museum","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"来舶画人作品から見た清代花鳥画の一面","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"来舶画人作品から見た清代花鳥画の一面"},{"subitem_title":"An Aspect of Ch’ing Period Bird-and-Flower Painting as Seen from Works of Painters who Came to Japan","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1012"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6280","relation_version_is_last":true,"title":["来舶画人作品から見た清代花鳥画の一面"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:35:48.921100+00:00"}