{"created":"2023-05-15T13:35:02.886308+00:00","id":6258,"links":{},"metadata":{"_buckets":{"deposit":"12fa3293-8b07-4678-b17e-1cef48ab0f7b"},"_deposit":{"created_by":3,"id":"6258","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6258"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006258","sets":["20:989:1004"]},"author_link":["26448","26449"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2002-03-25","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"375","bibliographicPageEnd":"37","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     The Kagami-no-miei鏡御影and the Anjo-no-miei安城御影portraits (both at Hongan-ji本願寺, Kyoto, commonly known as Nishi-Hongan-ji) are, needless to say, images of Shinran親鸞(1173-1262) that convey his actual living appearance and stand as major examples of likeness paintings of the Kamakura period. Regardless of the fact that one of these images shows the subject standing and the other seated, they both share a variety of specific characteristics, such as 1) upturned eyebrows, 2) môsu帽子garment wound around neck of his garment, and 3) one string of Buddhist prayer beads hanging from both hands held before his waist. These iconographic points were repeated in later periods, as seen in the Kuma-no-kawano-miei熊皮御影image (Nara National Museum, formerly in the collection of Jofuku-ji常福寺, Kyoto), and came to be the set iconographic characteristics of images of Shinran. Further, we must acknowledge that this set of characteristics influence us greatly when we are determining whether or not a portrait image we are confronted with depicts Shinran.\n     However, the Figure of a Seated Priest has been traditionally preserved at Jôkyo-ji常敬寺, the temple established by Yuizen唯善, Shinran's grandson. In 1977, this sculpture was designated an Important Cultural Property of Chiba prefecture based on the determination that this was a sculpture in Chiba prefecture that was an actual portrait sculpture dated to the Kamakura period. While the sculpture's owner, Jôkyô-ji, has traditionally considered the work to be a portrait of Shinran, the title given to the sculpture in its registration, “Den Shinran shônin zô伝親鸞聖人像,“literally” purported portrait of Shinran,” is based on the differences between the features of this sculpture and the generally known and accepted features of Shinran portrait paintings. And yet, when we consider the work in conjunction with an examination of its provenance, we find that it is extremely likely that this is the “Shinran portrait” sculpture that was first installed at Shinran's tomb, built in the Ôtani district of Kyoto. The sculpture was then moved by Yuizen in 1309 to the Tokiwa district of Kamakura, and is indeed the image of “Shinran” described in the temple history. Doesn't this, then, raise the question of why the temple history in this regard has not been simply trusted? Extending further, these doubts raise questions regarding the acknowledged images of Shinran as typified by the Kagami-no-miei and the Anjô-no-miei, both with their so-called standard Shinran image iconography of raised eyebrows, môsu tied at the collar of his garment, and single band of prayer beads around both hands in front of his waist.\n     When we consider these issues, we then find that along with the Jôkyo-ji image, we must also consider the other seated portrait sculptures of priests found in Shinshû sect真宗, or formerly Shinshû sect, temples in the southern Kantô region that date back to Japan's medieval period, which have traditionally been called “portraits of Shinran.” In the modern era, some of these works have had the term “den”, or literally, “traditionally said to be,” tacked onto their titles as questions arose about traditional temple worship, and in light of comparisons made with the Kagami-no-miei and Anjô-no-miei images. In other cases, such questioning led to the Shinran designation being dropped altogether, and the figure redesignated as an image of whichever priest founded the temple housing the sculpture. And yet, individual research on this subject reveals that if we consider the factors that led to these sculptures being designated as images of Shinran, then the very iconographic elements that cannot be matched with those of the Kagami-no-miei and Anjô-no-miei images can indeed raise the possibility of a myriad of diverse medieval period Shinran images such as that found at Jôkyô-ji, and wouldn't such a view provide one approach for our clarification of Shinran images, and indeed, of Shinshû sect portrait sculpture of the medieval period?","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"津田, 徹英"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Tsuda, Tetsuei","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"375_1_Tsuda_Redacted.pdf","filesize":[{"value":"59.2 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"375_1_Tsuda_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6258/files/375_1_Tsuda_Redacted.pdf"},"version_id":"339c0bc4-e820-495f-8031-5fca389fc469"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"親鸞聖人像（千葉　常敬寺蔵）京都・大谷親鸞廟堂安置影像か・善導図様・唯善事件・親鸞聖人像・埼玉　清浄寺本堂","subitem_subject_scheme":"Other"},{"subitem_subject":"Seated Shinran, Jokyo-ji, Chiba","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"親鸞の面影―中世真宗肖像彫刻研究序説―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"親鸞の面影―中世真宗肖像彫刻研究序説―"},{"subitem_title":"Shinran's Face: Preliminary Research on Shinshu Sect Portrait Sculpture from Japan's Medieval Period","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["1004"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6258","relation_version_is_last":true,"title":["親鸞の面影―中世真宗肖像彫刻研究序説―"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:40:35.172625+00:00"}