{"created":"2023-05-15T13:34:59.978990+00:00","id":6212,"links":{},"metadata":{"_buckets":{"deposit":"93268332-e07a-40c5-9c62-a3a8afcb1a1f"},"_deposit":{"created_by":3,"id":"6212","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6212"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006212","sets":["20:968:987"]},"author_link":["26348","26349"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-01-07","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"399","bibliographicPageEnd":"78","bibliographicPageStart":"64","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     This exhibition review takes as its subject the exhibition entitled Paintings of Korea's Joseon Dynasty and Japan: The Art of a neighboring Kingdom that inspired Sôtatsu, Taiga and Jakuchû, held from November 2008 through July 2009 at the Tochigi Prefectural Art Museum, Shizuoka Prefectural Museum of Art, Sendai City Museum, and Okayama Prefectural Museum of Art. The novel aspect of this exhibition was not only the overview of Joseon dynasty painting, but also the detailed display of the influence of that painting on Japanese painting from the 15th to the 19th centuries. The exhibition featured works never before publicly displayed in Japan, and it was intentionally planned with the realization that the aims of the exhibition would raise certain issues. The exhibition was divided into two sections, with the first section Glory of Joseon dynasty painting, presenting an overview of Joseon dynasty paintings from the 14th through the 19th centuries. The first section also indicated the possibility that there are works that have been handed down as examples of Chinese or Japanese Muromachi period paintings that might actually be Korean paintings. The second section Aspects of Joseon dynasty painting from Japan, examined the influence of Korean painting on Japanese painting.\n     While a large amount of earlier research has explored the influence of Chinese paintings on Japanese painting history, there has been almost no discussion of the influence of Korean paintings. This exhibition intentionally featured works that have shared subjects, expressive methods and techniques, and allowed visitors an opportunity to compare Korean paintings with Japanese paintings. The problems with this exhibition were related to its scale, with too many different periods and genres covered, but this article considers two particularly impressive points in terms of research on Edo period painting.\n     The first point is the subject of the painting of puppies seen on the cover of the catalogue. In the exhibition, images of dogs by the painter of the cover work, Yi Am, active in the 16th century, were arrayed next to those by Tawaraya Sôtatsu, Itô Jakuchû, and Yosa Buson. Because the artists all had access to earlier model images of dogs painted in the Chinese academic bird and flower painting style, a simple relationship between Korean and Japanese dog paintings cannot be educed. Indeed, one can broaden the comparison to works from China, Korea and Japan, and further afield to East Asia, noting similar developments in expression. If we are to grasp the flow from the limited number of extant works on this subject, then the playful puppies who were pictorial images of pet dogs kept at China's imperial court were painted in more familiar detail during the Joseon dynasty, while in the Edo period, Sôtatsu simply took the form as a cutout, idealized motif. Similarly, it can be said that Jakuchû extracted a new sense of the life force in his method of the propagation of the single image of a dog into multiples of the same size.\n     The second point is related to the experiment of considering the influence of Joseon painting on the works of Itô Jakuchů. Seven paintings by Jakuchû, the largest number of any painter in the exhibition, were included in the show. The works allowed a consideration of the possibility that the “unique thematic, compositional and methodological creativity” previously observed in Jakuchû in fact represented influence from Korean painting. Indeed, there are some works by Jakuchû not included in the exhibition that reflect similarities with Joseon paintings, and this is an important point for consideration that urges a reexamination of the establishment of Jakuchû's painting style. On the other hand, the comparison with Joseon works did allow the particularly Jakuchû painting expression characteristics to become visible.\n     The painters of the Edo period had many ways of receiving information and we can imagine that they reflected these information sources in the creation of their own paintings. Undoubtedly Joseon painting was one such source. This exhibition provided an overview of Joseon painting and was also an important opportunity to consider the various expression in Edo period painting amidst the development of art in East Asia.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"江村, 知子"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Emura, Tomoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"399_64_Emura_Redacted.pdf","filesize":[{"value":"7.0 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"399_64_Emura_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6212/files/399_64_Emura_Redacted.pdf"},"version_id":"ca97b59a-1408-4129-a993-0731787e3b09"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"「朝鮮王朝の絵画と日本―宗達・大雅・若冲も学んだ隣国の美」展・栃木県立美術館・静岡県立美術館・仙台市博物館・岡山県立美術館・俵屋宗達・伊藤若冲・与謝蕪村・狗子図・李巌","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"展覧会評　朝鮮王朝の絵画と日本","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"展覧会評　朝鮮王朝の絵画と日本"},{"subitem_title":"Exhibition Review: Paintings of Korea’s Joseon Dynasty and Japan (Tochigi Prefectural Art Museum and Three Other Venues)","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["987"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6212","relation_version_is_last":true,"title":["展覧会評　朝鮮王朝の絵画と日本"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:45:23.152459+00:00"}