{"created":"2023-05-15T13:34:56.966715+00:00","id":6148,"links":{},"metadata":{"_buckets":{"deposit":"fbf5a0f8-7cfc-4aba-9240-9f6040de81d9"},"_deposit":{"created_by":3,"id":"6148","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6148"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006148","sets":["20:968:976"]},"author_link":["26211","26210"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2006-02-20","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"388","bibliographicPageEnd":"38","bibliographicPageStart":"33","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     This article introduces a single six-panel screen in the Baur Collections, Geneva, and suggests that this screen may have been one of a pair of screens displayed by the Tokugawa shogunate in the Paris World Exposition of 1867. The painting surface of this Baur screen measures a total 238.4 cm by 532.0 cm, a massive format considerably\nlarger than standard folding screen sizes. Each panel of the screen is a single seamless stretch of silk, and the massive composition carefully depicts an autumn foliage scene in full colors. The signature and seals on the lower left of the composition indicate that it is a work dating from the Hôin period of Kanô Shôsen'in Tadanobu. Shôsen'in, an oku-eshi.\npainter of the Kobiki-chô Kanô school, is known as the teacher of two revolutionary Nihonga painters, Kanô Hôgai and Hashimoto Gahô. However, there are no outer wrappings or other documentary materials that survive with the screen, and with the exception of a listing of the screen itself, there are no materials in the collection records to indicate its provenance.\n     On the other hand, it is well known that the 1867 Paris World Exposition marked the first exposition, and the last, in which the Tokugawa shogunate officially participated. According to Tokugawa Akitake taiô kiroku [Records of Tokugawa Akitake's time in Europe] which reprints the documents of the day, the Tokugawa shogunate arranged for four types of paintings to be displayed at the World Exposition, namely screens, hanging scrolls, painting albums, and framed works (oil paintings). Of those, the screens were to be a set of silk screens with full color depicting the Mt. Yoshino and Tatsuta River themes by Kanô Shôsen'in Tadanobu. This record goes on to note that each panel size of the Shôsen'in screens was 265.1 cm by 95.4 cm. The Baur screen is 266.5 x 95.6 cm, close to this size. Similarly, the record's notation of the brocade border used on the screen and the metal fittings with cherry blossom and karakusa vining plants motifs accords fully with the details of the Baur screen. The exhibited screen was praised as “extremely carefully detailed color painting,” a phrase that is completely apropos for the massive and yet carefully rendered composition of the Baur screen.\n     As noted in Sakakibara Satoru's 2002 book, Bi no kakehashi – ikoku ni tsukawasareta byôbu tachi, from antiquity onwards, screens were often used by the Japanese powers of the day as presentation gifts to foreign powers. Upon the occasion of visits by envoys from the Korean court, or as part of the strengthening relationships with western powers at the end of the Tokugawa era, the Tokugawa shogunate commissioned screens from their official painters and presented them to the visiting dignitaries. Another work by the Baur screen painter, Kanô Shôsen'in Tadanobu, a single sixpanel screen of Hawking today in the Leiden National Museum of Ethnology, is thought to have been one of a set of ten screens presented by the shogunal government to the Dutch King William III in 1856. Undoubtedly the immense size of the screens displayed in the 1867 Paris Exposition was meant to reflect the prestige and authority of the shogunal government in the important venue of an exposition seen by people from around the world. If this Baur screen is one of the pair of screens displayed in the Paris Exposition, we can now hope for the appearance someday of the Mt. Yoshino screen that would confirm that provenance.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"塩谷, 純"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Shioya, Jun","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"388_33_Shioya_Redacted.pdf","filesize":[{"value":"7.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"388_33_Shioya_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6148/files/388_33_Shioya_Redacted.pdf"},"version_id":"f3961cef-1ce5-42b7-b934-85e0a6a8ad53"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"パリ万国博覧会・障屏画","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"図版解説　狩野勝川院雅信《龍田図屏風》ジュネーヴ バウアー・コレクション","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"図版解説　狩野勝川院雅信《龍田図屏風》ジュネーヴ バウアー・コレクション"},{"subitem_title":"Explanation of Plate: Kano Shosen'in Tabdanobu's Tatsuta Screen in the Baur Collections, Geneva","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["976"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6148","relation_version_is_last":true,"title":["図版解説　狩野勝川院雅信《龍田図屏風》ジュネーヴ バウアー・コレクション"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:42:41.199329+00:00"}