{"created":"2023-05-15T13:34:53.659363+00:00","id":6075,"links":{},"metadata":{"_buckets":{"deposit":"b44ad595-50ef-4742-9b27-c57cdb8473e4"},"_deposit":{"created_by":3,"id":"6075","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"6075"},"status":"published"},"_oai":{"id":"oai:tobunken.repo.nii.ac.jp:00006075","sets":["20:946:960"]},"author_link":["27911","27910","27907","27908","27906","27909"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2015-02-20","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"414","bibliographicPageEnd":"34","bibliographicPageStart":"27","bibliographic_titles":[{"bibliographic_title":"美術研究"},{"bibliographic_title":"The bijutsu kenkyu : the journal of art studies","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"     The Portland Art Museum in the US state of Oregon is one of America’s many museums with a fascinating history. While little known in Japan, this museum houses an impressive Japanese painting and print collection. The majority of these works are ukiyo-e prints, but there are also a considerable number of hanging scrolls, folding screens and paintings in other formats. While our time in Portland was limited and thus we were not able to conduct an exhaustive survey, we were able to survey a number of works in the collection, focusing on the folding screens. We will introduce a selection of the noteworthy examples from our survey in two issues of this journal. This first section of the introduction presents the following five works.\n\n1. Fragment of a Tohokuin Shokunin-uta-awase-e (Poetry Contest of Artisans) Handscroll, Unmounted handscroll fragment, color on paper, H. 26.2 cm, W. 59.3 cm\n     This work is a fragment of a version of the Tohokuin Shokunin-uta-awase-e handscroll that presented 12 pairs of 24 different types of artisans. This fragment shows the sword sharpener and metal founder pairing, with the sword sharpener in the act of sharpening a sword on a whetstone, seen with a bucket filled with water, a whetstone and two swords out of their sheathes. The metal foundry scene shows a person holding a round fan, a flaming brazier in front of an earthen wall-like structure appears to the left front of that person, and part of a person is seen behind that brazier. While the line work and stiff composition suggest that this work is a copy of some traditionally handed down version, this fragment is an important example of a Tohokuin Shokunin-uta-awase-e handscroll that dates back to the Muromachi period (16th century).\n\n2. Birds and Flowers, Six-panel screen, color on paper, H. 156.8 cm, W. 235.0 cm\n     This unsigned birds and flowers screen has been traditionally attributed to Oguri Sôtan, and is a rare example of a bird and flower theme painting that includes elements such as insects and fish. The overall composition and motif arrangement is somewhat haphazard. The colors are generally vivid and lightly applied, and the painter used a relatively limited number of colors. A slight amount of gold paint was used on the work, primarily in the area surrounding the distant hills in the composition’s upper left. The painting reveals the influence of various painting schools, including the Kanô school, and we would like to suggest that it was produced sometime around the mid to late 16th century by a painter who worked in older styles and was not a member of the mainstream art schools of the day.\n\n3. The Arrival of the Europeans, Pair of six-panel screens, color on gold ground on paper, each screen H. 153.9 cm, W. 359.6 cm\n     The left screen shows cargo being unloaded from a European galleon that had arrived in Japan from overseas. The right screen shows a procession of the foreigners from the ship on land, and Japanese residents and officials welcoming them. The screens bear neither signature nor seals to identify their painter and no provenance information to clarify their history accompanied the work into the Portland collection. The figural and architectural expression is close to that of the Kanô school, exhibiting neither stylistic breakdown nor imitation of an older style. Conversely, the depiction of the rocks, trees and waves does not suggest Kanô style, while also avoiding imitation of an earlier style. This painting can be thought to date to the first half of the 17th century, which makes it a relatively old and good example of the so-called Namban Screen genre in a collection outside of Japan.\n\n4. The “Nowaki” Chapter of the Tale of Genji (Genji monogatari), Two-panel screen, color on paper, H. 146.8 cm, W. 168.8 cm\n     This two-panel screen made up of five tiers of painting paper presents a scene from “Nowaki” (Typhoon), the 28th chapter of the Tale of Genji. The morning after the typhoon, known as nowaki, young girls are shown in Akikonomu no Chûgû’s garden of the Rokujôin residence, giving water to insects in their cages. The bamboo fence-enclosed garden expands in front of a diagonally arranged building, while a stream can be seen in the upper right. There are five girls in the garden, and two women appear on the narrow veranda alongside the garden. All seven figures have somewhat long jaws and plump cheeks, unlike the more usual hikime-kagihana slit-eyes-and-hook-nose facial depiction method.\nPainted in a gentle style with pale ink for the overall forms, the outlines of the eyes, upper eyelid, nostrils, and mouth are all drawn in dark ink. Tale of Genji screens were frequently produced from the early pre-modern era onwards by a range of different painting schools and this screen can be seen as a work from the first half of the 17th century depicting a single chapter from the tale.\n\n5. Itsukushima and Famous Sites of Ômi, Pair of six-panel screens, color on gold ground on paper, each screen 143.1 cm, W. 341.5 cm\n     The left screen of this pair depicts Itsukushima, while the right screen presents the famous sites of the Ômi region. This pair of screens can be thought to be one example of the many pairs of six-panel screens created in the 17th century that combine images of Itsukushima with those of Amanohashidate or Wakanoura. More so than a tendency towards accurately depicting the actual scenery or temple and shrine architecture, this pair of screen seems to be a case of an artist depicting groups of figures at will in scenery that looked somehow familiar. The paintings present a mixture of stylistic elements from various schools, and thus it can be surmised that a machi-eshi (town painter for hire) painted this work.","subitem_description_type":"Abstract"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"綿田, 稔"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"江村, 知子"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"土屋, 貴裕"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Watada, Minoru","creatorNameLang":"en"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Emura, Tomoko","creatorNameLang":"en"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Tsuchiya, Takahiro","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-05"}],"displaytype":"detail","filename":"414_27_Watada_Redacted.pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"414_27_Watada_Redacted.pdf","url":"https://tobunken.repo.nii.ac.jp/record/6075/files/414_27_Watada_Redacted.pdf"},"version_id":"72aed4ce-6104-4d17-9621-eecf5ba02184"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"研究資料　続稀蹟雑纂―ポートランド美術館所蔵作品簡解（一）―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"研究資料　続稀蹟雑纂―ポートランド美術館所蔵作品簡解（一）―"},{"subitem_title":"Material for Art Research, Comments on Little Known Paintings: A Brief Introduction to Works in the Portland Art Museum (1)","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"3","path":["960"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-05"},"publish_date":"2017-10-05","publish_status":"0","recid":"6075","relation_version_is_last":true,"title":["研究資料　続稀蹟雑纂―ポートランド美術館所蔵作品簡解（一）―"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-05-15T14:48:23.123681+00:00"}