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研究資料 脱活乾漆造 菩薩立像
https://tobunken.repo.nii.ac.jp/records/6206
https://tobunken.repo.nii.ac.jp/records/62063d8d6a3f-968f-40cc-bc6e-755350a23aa3
名前 / ファイル | ライセンス | アクション |
---|---|---|
398_82_Tsuda_Redacted.pdf (2.8 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 研究資料 脱活乾漆造 菩薩立像 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Material for Art Research: Hollow Dry Lacquer Standing Bodhisattva | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 池田勇人旧蔵・X線透過画像 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Standing Bodhisattva, Private Collection, Tokyo | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
津田, 徹英
× 津田, 徹英× Tsuda, Tetsuei |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Standing Bodhisattva introduced here is a newly discovered example of the hollow dry lacquer technique. The sculpture was acquired from an art dealer around 1965 by Ikeda Hayato (1899-1965), a former Prime Minister, and then it passed into the collection of its current owner upon Ikeda's death. The figure is 77.1 cm tall. While there is a great deal of restoration on the figure, the restoration does not damage the original appearance of its form. Judging from the style, this work is thought to have been created at the very end of the 8th century or the beginning of the 9th century. Of particular note is the structure of this figure, as seen through analysis of X-ray imagery. Specifically, both arms and the central head/body section were roughly formed in clay separately, and then the surfaces of each clay section was coated in hemp cloths and hardened. A small knife was used to cut the head/body section in half, front and back, at around the place where the ears were located. The internal clay form was discarded, the two pieces rejoined, and the two separately formed arms attached at their respective shoulder locations. These factors all indicate the advanced hollow dry lacquer techniques that had developed by the final period of Tempyô era hollow dry lacquer work. The top of the pedestal (h. 9.1 cm) was made in the same period as the sculpture. |
|||||
書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 398, p. 82-89, 発行日 2009-08-31 |